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When fear leaves no landscape untouched.

Κ’ εγώ άκουγα μέσα μου μεγάλη ταραχή και με συνεπήρε το πνεύμα στο Μισολόγγι. Και δεν έβλεπα μήτε το κάστρο, μήτε το στρατόπεδο, μήτε τη λίμνη, μήτε τη θάλασσα, μήτε τη γη που επάτουνα, μήτε τον ουρανό· πολιορκούμενους και πολιορκισμένους και όλα τα έργα τους και όλα τα πάντα τα εκατασκέπαζε μαυρίλα και πίσσα.
— Η Γυναίκα της Ζάκυθος, Διονύσιος Σολωμός (1859)
  1. The Plague

    Albert Camus, 1947

    A port city is sealed off by plague, and ordinary people must decide what decency costs when the routines that held them together stop.

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  1. The moment a man decides he has nothing left to confess.

    I don’t know why, but something inside me snapped. I started yelling at the top of my lungs, and I insulted him and told him not to waste his prayers on me. I grabbed him by the collar of his cassock. I was pouring out on him everything that was in my heart, cries of anger and cries of joy.

    The Stranger · Albert Camus

  2. Someone reads your job title back to you and quietly disagrees.

    Do you know what I was smiling at? You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It’s never been anything but your religion.

    Raise High the Roof Beam, Carpenters · J. D. Salinger

  3. The arithmetic of cool, and who is left to do the ordinary work.

    All around him, millions of newly minted American millionaires were engaged in the identical pursuit of feeling extraordinary - of buying the perfect Victorian, of skiing the virgin slope, of knowing the chef personally, of locating the beach that had no footprints. There were further tens of millions of young Americans who didn’t have money but were nonetheless chasing the Perfect Cool. And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary? Who would perform the thankless work of being comparatively uncool?

    The Corrections · Jonathan Franzen

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