Books like The Land of Little Rain

Every neck is stretched further, and every eye strained wider. Away across the endless dead level of the prairie a black speck appears against the sky, and it is plain that it moves. Well, I should think so! In a second or two it becomes a horse and rider, rising and falling, rising and falling—sweeping toward us nearer and nearer—growing more and more distinct, more and more sharply defined—nearer and still nearer, and the flutter of the hoofs comes faintly to the ear—another instant a whoop and a hurrah from our upper deck, a wave of the rider’s hand, but no reply, and man and horse burst past our excited faces, and go winging away like a belated fragment of a storm!

No Sierra landscape that I have seen holds anything truly dead or dull, or any trace of what in manufactories is called rubbish or waste; everything is perfectly clean and pure and full of divine lessons. This quick, inevitable interest attaching to everything seems marvelous until the hand of God becomes visible; then it seems reasonable that what interests Him may well interest us. When we try to pick out anything by itself, we find it hitched to everything else in the universe. One fancies a heart like our own must be beating in every crystal and cell, and we feel like stopping to speak to the plants and animals as friendly fellow mountaineers.

We men hat go down for a livin’ in ships to the sea—We love it a different way from you poets that ’bide on the land.We are fond of it, sure! But, you take it as comin’ from me,There’s a fear and a hate in our love that a landsman can’t understand.Oh, who could help likin’ the salty smell, and the blueOf the waves that are lazily breathin’ as if they dreamed in the sun?She’s a Sleepin’ Beauty, the sea—but you can’t tell what she’ll do;And the seamen never trust her—they know too well what she’s done!

If ever I saw anything like actual migration, it was last Michaelmas-day. I was travelling, and out early in the morning: at first there was a vast fog; but, by the time that I was got seven or eight miles from home towards the coast, the sun broke out into a delicate warm day. We were then on a large heath or common, and I could discern, as the mist began to break away, great numbers of swallows (hirundines rusticae) clustering on the stinted shrubs and bushes, as if they had roosted there all night. As soon as the air became clear and pleasant they all were on the wing at once; and, by a placid and easy flight, proceeded on southward towards the sea: after this I did not see any more flocks, only now and then a straggler.

My old host volunteered in his nephew’s place to let me understand that the youth was destined to leave for Manchuria in a day or two. I had thought that there was only feathered songsters to listen to, only flowers to see fall, only hot spring to warble forth in this dreamy land of poetry in a mountain bosom, in peaceful Spring. Alas, the living world had come crossing the sea and mountain and oozing into this home of a forgotten tribe, and the time may come when a small fraction of blood making a crimson sea of bleak Manchuria may flow from this youth’s arteries. This very youth is sitting next to an artist who sees nothing worth seeing in human life but dreaming. He sits so near that the artist may hear his heart throb.

He set his teeth and said nothing, but went with the shouting monkeys to a terrace above the red sandstone reservoirs that were half full of rainwater. There was a ruined summerhouse of white marble in the center of the terrace, built for queens dead a hundred years ago. The domed roof had half fallen in and blocked up the underground passage from the palace by which the queens used to enter; but the walls were made of screens of marble tracery—beautiful, milk-white fretwork, set with agates and cornelians and jasper and lapis lazuli, and as the moon came up behind the hill it shone through the openwork, casting shadows on the ground like black-velvet embroidery.