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The Darling and Other Stories

Anton Chekhov (1860–1904), 1899

Classics

Chekhov's men and women, loving badly and well: a widow who pours herself into whoever needs her, a liar in Italy, a student's silent mistress. Chekhov's voice here is tender and witty, moving at a slow, lyrical pace through love and melancholy.

Feels like melancholy, tenderness and wonder. About love, memory and power.

Who it’s for

You may like it if you enjoy quiet character studies of ordinary people loving badly and well. Some stories linger on poverty and disappointment, and the translated nineteenth-century prose can feel distant.

Why read it

These stories show how closely Chekhov watched people: their small kindnesses, self-deceptions and griefs, rendered with wit and tenderness.

Pages from the book

What poverty takes from a person beyond comfort.

"What matters is not that Anna died in childbirth, but that all these Annas, Mavras, Pelageas, toil from early morning till dark, fall ill from working beyond their strength, all their lives tremble for their sick and hungry children, all their lives are being doctored, and in dread of death and disease, fade and grow old early, and die in filth and stench. Their children begin the same story over again as soon as they grow up, and so it goes on for hundreds of years and milliards of men live worse than beasts— in continual terror, for a mere crust of bread. The whole horror of their position lies in their never having time to think of their souls, of their image and semblance.

What seven years of marriage can boil down to remembering.

Of the time when he fell in love and proposed to her, and the seven years that he had been living with her, all that remained in his memory was her long, fragrant hair, a mass of soft lace, and her little feet, which certainly were very small, beautiful feet; and even now it seemed as though he still had from those old embraces the feeling of lace and silk upon his hands and face—and nothing more. Nothing more—that is, not counting hysterics, shrieks, reproaches, threats, and lies—brazen, treacherous lies. He remembered how in his father’s house in the village a bird would sometimes chance to fly in from the open air into the house and would struggle desperately against the window-panes and upset things; so this woman from a class utterly alien to him had flown into his life and made complete havoc of it.

How a place keeps a light on for you long after you leave.

I am beginning to forget the old house, and only sometimes when I am painting or reading I suddenly, apropos of nothing, remember the green light in the window, the sound of my footsteps as I walked home through the fields in the night, with my heart full of love, rubbing my hands in the cold. And still more rarely, at moments when I am sad and depressed by loneliness, I have dim memories, and little by little I begin to feel that she is thinking of me, too —that she is waiting for me, and that we shall meet. . . .

More passages from The Darling and Other Stories

Anton Chekhov.Chekhov trained as a doctor and practised through most of his writing life; he called medicine his lawful wife and literature his mistress.

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The Duel

Anton Chekhov, 1891

A clever, idle Russian runs off with another man's wife, brings her to a hot coast town, and slowly discovers that the problem has travelled with him.

Where to get it

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Questions readers ask

Is The Darling and Other Stories for me?
You may like it if you enjoy quiet character studies of ordinary people loving badly and well. Some stories linger on poverty and disappointment, and the translated nineteenth-century prose can feel distant.
What is The Darling and Other Stories like?
Chekhov's voice here is tender and witty, moving at a slow, lyrical pace through love and melancholy. Feels like melancholy, tenderness and wonder. About love, memory and power.
What should I read after The Darling and Other Stories?
If you liked The Darling and Other Stories, try The Velveteen Rabbit (Margery Williams Bianco), Short Fiction (Thomas Hardy) and The Happy Prince, and Other Tales (Oscar Wilde).

A taste of the feed

  1. What it costs to become real, told by someone who has already paid.

    “It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”

    The Velveteen Rabbit · Margery Williams Bianco

  2. A lifetime of milking, written into a woman's forehead.

    Her monotonous milking at the dairy was resumed, and followed for many long years, till her form became bent, and her once abundant dark hair white and worn away at the forehead—perhaps by long pressure against the cows. Here, sometimes, those who knew her experiences would stand and observe her, and wonder what sombre thoughts were beating inside that impassive, wrinkled brow, to the rhythm of the alternating milk-streams.

    Short Fiction · Thomas Hardy

  3. The thing first love promises that it cannot deliver.

    Whether he kissed her once or several times he could not afterward remember, though it must have been an hour that they sat there close together and he held her hand. What surprised him most about making love was that it seemed to have no element of wild passion—regret, desire, despair—but a delirious promise of such happiness in the world, in living, as he had never known. First love—this was only first love! What must love itself in its fullness, its perfection be. He did not know that what he was experiencing then, that unreal, undesirous medley of ecstasy and peace, would be unrecapturable forever.

    Short Fiction · F. Scott Fitzgerald

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