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Books like Carmilla

If Carmilla stayed with you, these share its feel: dread, love and unease. Each comes with a real page, so you can tell in a minute.

About Carmilla · Joseph Sheridan Le Fanu

  1. 1.Dracula

    Bram Stoker, 1897

    Also dread and death. A solicitor's business trip, a seaside storm and a doctor's case notes, told through diaries, letters and telegrams so that dread reads like found evidence.

    What I saw was the Count’s head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had so many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes.
  2. 2.The Turn of the Screw

    Henry James, 1898

    Also dread and unease. A governess alone with two charming children begins to see figures no one else admits—and to wonder whether she is their protector or their danger.

    My second was a violent perception of the mistake of my first: the man who met my eyes was not the person I had precipitately supposed. There came to me thus a bewilderment of vision of which, after these years, there is no living view that I can hope to give. An unknown man in a lonely place is a permitted object of fear to a young woman privately bred; and the figure that faced me was—a few more seconds assured me—as little anyone else I knew as it was the image that had been in my mind. I had not seen it in Harley Street—I had not seen it anywhere. The place, moreover, in the strangest way in the world, had, on the instant, and by the very fact of its appearance, become a solitude.
  3. 3.The Phantom of the Opera

    Gaston Leroux, 1910

    Also dread and love. A masked figure haunts the Paris Opera, secretly tutoring a young singer — a gothic thriller about genius, ugliness, and what love demands.

    After the deceptions and illusions of the torture-chamber, the precision of the details of that quiet little middle-class room seemed to have been invented for the express purpose of puzzling the mind of the mortal rash enough to stray into that abode of living nightmare. The wooden bedstead, the waxed mahogany chairs, the chest of drawers, those brasses, the little square antimacassars carefully placed on the backs of the chairs, the clock on the mantelpiece and the harmless-looking ebony caskets at either end, lastly, the whatnot filled with shells, with red pin-cushions, with mother-of-pearl boats and an enormous ostrich-egg, the whole discreetly lighted by a shaded lamp standing on a small round table: this collection of ugly, peaceable, reasonable furniture, AT THE BOTTOM OF THE OPERA CELLARS, bewildered the imagination more than all the late fantastic happenings.
  4. 4.The Castle of Otranto

    Horace Walpole, 1764

    Also dread and unease. A castle, an enormous helmet fallen from nowhere, and a tyrant with a guilty bloodline: the 1764 novel that invented gothic fiction and is still genuinely strange, funny and frightening.

    Manfred, though persuaded, like his wife, that the vision had been no work of fancy, recovered a little from the tempest of mind into which so many strange events had thrown him. Ashamed, too, of his inhuman treatment of a Princess who returned every injury with new marks of tenderness and duty, he felt returning love forcing itself into his eyes; but not less ashamed of feeling remorse towards one against whom he was inwardly meditating a yet more bitter outrage, he curbed the yearnings of his heart, and did not dare to lean even towards pity. The next transition of his soul was to exquisite villainy.
  5. 5.Wuthering Heights

    Emily Brontë, 1847

    Also love and longing. A storm of a love story told by two unreliable narrators, in which childhood devotion curdles into revenge across two generations on the Yorkshire moors.

    “Nelly, help me to convince her of her madness. Tell her what Heathcliff is: an unreclaimed creature, without refinement, without cultivation; an arid wilderness of furze and whinstone. I’d as soon put that little canary into the park on a winter’s day, as recommend you to bestow your heart on him! It is deplorable ignorance of his character, child, and nothing else, which makes that dream enter your head. Pray, don’t imagine that he conceals depths of benevolence and affection beneath a stern exterior! He’s not a rough diamond—a pearl-containing oyster of a rustic: he’s a fierce, pitiless, wolfish man. I never say to him, ‘Let this or that enemy alone, because it would be ungenerous or cruel to harm them;’ I say, ‘Let them alone, because I should hate them to be wronged:’ and he’d crush you like a sparrow’s egg, Isabella, if he found you a troublesome charge.
  6. 6.The strange case of Dr. Jekyll and Mr. Hyde

    Robert Louis Stevenson, 1886

    Also dread and identity. A short, fast Victorian mystery that works as a thriller and as a sharp study of respectability, appetite and the parts of ourselves we prefer to keep out of sight.

    And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens. I, for my part, from the nature of my life, advanced infallibly in one direction and in one direction only.
  7. 7.Frankenstein

    Mary Shelley, 1818

    Also dread. A young scientist makes life and then cannot face what he has made. Told in nested voices, it asks who owes what to whom, and why ambition so often ends in solitude.

  8. 8.Phantasma

    Kaylie Smith, 2024

    Also longing and love. A young woman enters a haunted-house competition to save her sister, and the house — and its phantom — want something back.

  9. 11.The Portent

    George MacDonald, 1864

    Also love and unease. A Highland schoolmaster is drawn into the sleepwalking life of a mysterious lady and a legend of a horse with a clanking shoe.

  10. 12.Ghost Stories

    E. F. Benson, 1912

    Also dread and unease. English ghosts by a bishop's son who wrote them with a civilised smile: haunted bedrooms, village rites, and a dead man fretting through his own séance.

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