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The Portent

George MacDonald (1824–1905), 1864

★ 3.93 from 234 ratings on Goodreads

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A Highland schoolmaster is drawn into the sleepwalking life of a mysterious lady and a legend of a horse with a clanking shoe. A dreamlike Highland tale that moves with quiet gothic unease, lyrical tenderness, and a current of longing beneath its strange, watchful mood.

Feels like unease, longing and tenderness. About love, madness and faith.

Who it’s for

You may like it if you enjoy Victorian gothic atmosphere, dream logic, and stories where love and unease sit close together. The 1864 prose is ornate and unhurried, so the sleepwalking scenes ask for patience with old-fashioned sentences.

Why read it

It gives you a short, eerie glimpse of MacDonald's gothic imagination, with a legend, a sleepwalker, and a Highland setting that linger after the page.

Pages from the book

What if calling someone to you in the night were a kind of trespass?

I heard no sound of approach: the closet-door folded back, and in glided, open-eyed, but sightless pale as death, and clad in white, ghostly-pure and saintlike, the Lady Alice. I shuddered from head to foot at what I had done. She was more terrible to me in that moment than any pale-eyed ghost could have been. For had I not exercised a kind of necromantic art, and roused without awaking the slumbering dead? She passed me, walking round the table at which I was seated, went to the couch, laid herself down with a maidenly care, turned a little on one side, with her face towards me, and gradually closed her eyes. In something deeper than sleep she lay, and yet not in death. I rose, and once more knelt beside her, but dared not touch her. In what far realms of life might the lovely soul be straying!

Love that keeps working long after it expects anything back.

“Tire me, my child!” she said, with sudden energy. “Did I not carry you in my bosom, till I loved you more than the darling I had lost? Do I not think about you and your fortunes, till, sitting there, you are no nearer to me than when a thousand miles away? You do not know my love to you, Duncan. I have lived upon it when, I daresay, you did not care whether I was alive or dead. But that was all one to my love. When you leave me now, I shall not care much. My thoughts will only return to their old ways. I think the sight of the eyes is sometimes an intrusion between the heart and its love.”

A room so full of coloured moonlight it seems to have its own weather.

The corridor was night itself, with a dim, bluish-grey light from the windows, sufficing to mark their own spaces. I stole through it, and, without erring once, went straight to the haunted chamber. The door stood half open. I entered, and was bewildered by the dim, mysterious, dreamy loveliness upon which I gazed. The moon shone full upon the windows, and a thousand coloured lights and shadows crossed and intertwined upon the walls and floor, all so soft, and mingling, and undefined, that the brain was filled as with a flickering dance of ghostly rainbows. But I had little time to think of these; for out of the only dark corner in the room came a white figure, flitting across the chaos of lights, bedewed, besprinkled, bespattered, as she passed, with their multitudinous colours. I was speechless, motionless, with something far beyond joy.

More passages from The Portent

George MacDonald.A Scottish minister and fantasist, MacDonald was an acknowledged influence on C.S. Lewis and Tolkien and a friend of Lewis Carroll.

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Questions readers ask

Is The Portent for me?
You may like it if you enjoy Victorian gothic atmosphere, dream logic, and stories where love and unease sit close together. The 1864 prose is ornate and unhurried, so the sleepwalking scenes ask for patience with old-fashioned sentences.
What is The Portent like?
A dreamlike Highland tale that moves with quiet gothic unease, lyrical tenderness, and a current of longing beneath its strange, watchful mood. Feels like unease, longing and tenderness. About love, madness and faith.
What should I read after The Portent?
If you liked The Portent, try Sonnets from the Portuguese (Elizabeth Barrett Browning), Carmilla (Joseph Sheridan Le Fanu) and The gardener (Rabindranath Tagore).

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