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The King in Yellow

Robert W. Chambers (1865–1933), 1895

★ 3.50 from 34.3k ratings on Goodreads

Classics

Stories from 1895: a forbidden play that drives its readers mad, a future New York with a suicide chamber, starving Paris under siege. Weird fiction before Lovecraft. A low hum of dread runs through these gothic tales, with lyrical period prose and moments of sudden madness.

Feels like dread, unease and wonder. About madness, art and identity.

Who it’s for

You may like this if you enjoy early weird fiction, gothic unease, and stories about art and madness. Be prepared for formal 1895 prose and a collection that sometimes leaves the forbidden play behind for other settings.

Why read it

Read it for the atmosphere that later weird fiction borrowed from: a play you should not finish, painted cities, and dread that lingers after the page.

Pages from the book

Dusk, a drum, and a palace that will never hear this again.

The fading light lingered a moment on his belt and bayonet, then he passed into the shadows, drumming the echoes awake. The roll became fainter along the eastern terrace, then grew and grew and rattled with increasing sharpness when he passed the avenue by the bronze lion and turned down the western terrace walk. Louder and louder the drum sounded, and the echoes struck back the notes from the grey palace wall; and now the drummer loomed up before them—his red trousers a dull spot in the gathering gloom, the brass of his drum and bayonet touched with a pale spark, his epaulettes tossing on his shoulders. He passed leaving the crash of the drum in their ears, and far into the alley of trees they saw his little tin cup shining on his haversack.

Walking home when your own body stops feeling like yours.

He walked through the hall and down the stairs, and found himself on the sidewalk in a quarter he did not know. Mechanically he looked up at the name of the street. The name was not familiar. He turned and steered his course toward some lights clustered at the end of the street. They proved farther away than he had anticipated, and after a long quest he came to the conclusion that his eyes had been mysteriously removed from their proper places and had been reset on either side of his head like those of a bird. It grieved him to think of the inconvenience this transformation might occasion him, and he attempted to cock up his head, hen-like, to test the mobility of his neck. Then an immense despair stole over him—tears gathered in the tear-ducts, his heart melted, and he collided with a tree.

The strange dignity of a man who has built his own face.

When he had double-locked the door and pushed a heavy chest against it, he came and sat down beside me, peering up into my face with his little light-coloured eyes. Half a dozen new scratches covered his nose and cheeks, and the silver wires which supported his artificial ears had become displaced. I thought I had never seen him so hideously fascinating. He had no ears. The artificial ones, which now stood out at an angle from the fine wire, were his one weakness. They were made of wax and painted a shell pink, but the rest of his face was yellow. He might better have revelled in the luxury of some artificial fingers for his left hand, which was absolutely fingerless, but it seemed to cause him no inconvenience, and he was satisfied with his wax ears.

More passages from The King in Yellow

Robert W. Chambers.Chambers trained as a painter in Paris and wrote these stories in 1895 between society novels; Lovecraft later borrowed the Yellow Sign and the lake of Hali from them.

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Questions readers ask

Is The King in Yellow for me?
You may like this if you enjoy early weird fiction, gothic unease, and stories about art and madness. Be prepared for formal 1895 prose and a collection that sometimes leaves the forbidden play behind for other settings.
What is The King in Yellow like?
A low hum of dread runs through these gothic tales, with lyrical period prose and moments of sudden madness. Feels like dread, unease and wonder. About madness, art and identity.
What should I read after The King in Yellow?
If you liked The King in Yellow, try The Great God Pan (Arthur Machen), The Yellow Wallpaper (Charlotte Perkins Gilman) and The Phantom of the Opera (Gaston Leroux).

A taste of the feed

  1. The moment a familiar path becomes somewhere you have never been.

    Clarke tried to conceive the thing again, as he sat by the fire, and again his mind shuddered and shrank back, appalled before the sight of such awful, unspeakable elements enthroned as it were, and triumphant in human flesh. Before him stretched the long dim vista of the green causeway in the forest, as his friend had described it; he saw the swaying leaves and the quivering shadows on the grass, he saw the sunlight and the flowers, and far away, far in the long distance, the two figures moved toward him. One was Rachel, but the other?

    The Great God Pan · Arthur Machen

  2. A smell so insistent it can only be described as a colour.

    It used to disturb me at first. I thought seriously of burning the house—to reach the smell. But now I am used to it. The only thing I can think of that it is like is the color of the paper! A yellow smell.

    The Yellow Wallpaper · Charlotte Perkins Gilman

  3. The sound the earth makes when it has been at war too long.

    How was it that we had not heard it before! From everywhere—the exact place could not be defined—a groan, unbroken and scraping, wonderfully calm in its breadth, and even indifferent, as it seemed, was borne upon us. We had heard many cries and groans, but this resembled none of those heard before. On the dim reddish surface our eyes could perceive nothing, and therefore the very earth and sky, lit up by a never-rising sun, seemed to be groaning.

    Short Fiction · Leonid Andreyev

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