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Sonnets from the Portuguese

Elizabeth Barrett Browning (1806–1861), 1850

★ 4.11 from 13.1k ratings on Goodreads

Poetry Classics

A Victorian poet, ill and isolated, writes her way through the terror of being loved by a man who will not look away. The sonnets move with a slow, lyrical tenderness, turning longing and grief over in solemn, musical language.

Feels like longing, tenderness and grief. About love, faith and memory.

Who it’s for

You may like it if you enjoy Victorian love poetry that thinks aloud about fear, faith, and being seen. Some sonnets carry dense syntax and classical allusions, so the sequence can feel slow if you want light, immediate verse.

Why read it

It gives you a close view of a guarded heart learning to trust another person, and of a poet turning private fear into measured, musical argument.

Pages from the book

What it costs to hand someone the ashes of your grief.

I lift my heavy heart up solemnly,As once Electra her sepulchral urn,And, looking in thine eyes, I overturnThe ashes at thy feet. Behold and seeWhat a great heap of grief lay hid in me,And how the red wild sparkles dimly burnThrough the ashen greyness. If thy foot in scornCould tread them out to darkness utterly,It might be well perhaps. But if insteadThou wait beside me for the wind to blowThe grey dust up—those laurels on thine head,O my Beloved, will not shield thee so,That none of all the fires shall scorch and shredThe hair beneath. Stand further off then! Go.

What a mother leaves in your hair when she dies.

I never gave a lock of hair awayTo a man, Dearest, except this to thee,Which now upon my fingers thoughtfullyI ring out to the full brown length, and say:“Take it.” My day of youth went yesterday;My hair no longer bounds to my foot’s glee,Nor plant I it from rose or myrtle-tree,As girls do, any more: it only mayNow shade on two pale cheeks, the mark of tears,Taught drooping from the head that hangs asideThrough sorrow’s trick. I thought the funeral shearsWould take this first, but Love is justified:Take it thou—finding pure, from all those years,The kiss my mother left here when she died.

When thoughts of someone grow so thick they hide the person.

I think of thee!—my thoughts do twine and budAbout thee, as wild vines about a treePut out broad leaves, and soon there’s nought to seeExcept the straggling green which hides the wood.Yet, O my palm-tree, be it understoodI will not have my thoughts instead of theeWho art dearer, better! Rather, instantlyRenew thy presence; as a strong tree should,Rustle thy boughs and set thy trunk all bare,And let these bands of greenery which insphere theeDrop heavily down—burst, shattered, everywhere!Because, in this deep joy to see and hear theeAnd breathe within thy shadow a new air,I do not think of thee—I am too near thee.

More passages from Sonnets from the Portuguese

Elizabeth Barrett Browning.Elizabeth Barrett was a celebrated poet long before she met Robert Browning; her father disinherited her after their secret marriage in 1846, and she never saw him again.

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Questions readers ask

Is Sonnets from the Portuguese for me?
You may like it if you enjoy Victorian love poetry that thinks aloud about fear, faith, and being seen. Some sonnets carry dense syntax and classical allusions, so the sequence can feel slow if you want light, immediate verse.
What is Sonnets from the Portuguese like?
The sonnets move with a slow, lyrical tenderness, turning longing and grief over in solemn, musical language. Feels like longing, tenderness and grief. About love, faith and memory.
What should I read after Sonnets from the Portuguese?
If you liked Sonnets from the Portuguese, try The Lily of the Valley (Honoré de Balzac), Gitanjali (Rabindranath Tagore) and Poetry (James Joyce).

A taste of the feed

  1. A wish for a last song that holds every kind of joy.

    Let all the strains of joy mingle in my last song—the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word.

    Gitanjali · Rabindranath Tagore

  2. The moment a parent's love turns into fear of the world.

    Wind whines and whines the shingle, The crazy pierstakes groan; A senile sea numbers each single Slimesilvered stone. From whining wind and colder Grey sea I wrap him warm And touch his trembling fineboned shoulder And boyish arm. Around us fear, descending Darkness of fear above And in my heart how deep unending Ache of love!

    Poetry · James Joyce

  3. The heaviest thing you will ever have to carry is yourself.

    God strengthen me to bear myself; That heaviest weight of all to bear, Inalienable weight of care. All others are outside myself, I lock my door and bar them out The turmoil, tedium, gad-about. I lock my door upon myself, And bar them out; but who shall wall Self from myself, most loathed of all? If I could once lay down myself, And start self-purged upon the race That all must run! Death runs apace.

    Goblin Market, The Prince's Progress, and Other Poems · Christina Rossetti

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