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Books like The Invisible Man

If The Invisible Man stayed with you, these share its feel: dread, solitude and power. Each comes with a real page, so you can tell in a minute.

About The Invisible Man · H. G. Wells

  1. 1.The Hound of the Baskervilles

    Arthur Conan Doyle, 1902

    Also dread and curiosity. A doctor, a cursed family and a great black hound on Dartmoor: Holmes and Watson test whether a legend can be murdered.

    Barrymore was crouching at the window with the candle held against the glass. His profile was half turned towards me, and his face seemed to be rigid with expectation as he stared out into the blackness of the moor. For some minutes he stood watching intently. Then he gave a deep groan and with an impatient gesture he put out the light. Instantly I made my way back to my room, and very shortly came the stealthy steps passing once more upon their return journey. Long afterwards when I had fallen into a light sleep I heard a key turn somewhere in a lock, but I could not tell whence the sound came. What it all means I cannot guess, but there is some secret business going on in this house of gloom which sooner or later we shall get to the bottom of.
  2. 2.Dracula

    Bram Stoker, 1897

    Also dread and curiosity. A solicitor's business trip, a seaside storm and a doctor's case notes, told through diaries, letters and telegrams so that dread reads like found evidence.

    What I saw was the Count’s head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had so many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes.
  3. 3.The strange case of Dr. Jekyll and Mr. Hyde

    Robert Louis Stevenson, 1886

    Also dread and curiosity. A short, fast Victorian mystery that works as a thriller and as a sharp study of respectability, appetite and the parts of ourselves we prefer to keep out of sight.

    And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens. I, for my part, from the nature of my life, advanced infallibly in one direction and in one direction only.
  4. 4.Frankenstein

    Mary Shelley, 1818

    Also solitude and dread. A young scientist makes life and then cannot face what he has made. Told in nested voices, it asks who owes what to whom, and why ambition so often ends in solitude.

    “But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing. From my earliest remembrance I had been as I then was in height and proportion. I had never yet seen a being resembling me or who claimed any intercourse with me. What was I? The question again recurred, to be answered only with groans.
  5. 5.The Phantom of the Opera

    Gaston Leroux, 1910

    Also dread. A masked figure haunts the Paris Opera, secretly tutoring a young singer — a gothic thriller about genius, ugliness, and what love demands.

    After the deceptions and illusions of the torture-chamber, the precision of the details of that quiet little middle-class room seemed to have been invented for the express purpose of puzzling the mind of the mortal rash enough to stray into that abode of living nightmare. The wooden bedstead, the waxed mahogany chairs, the chest of drawers, those brasses, the little square antimacassars carefully placed on the backs of the chairs, the clock on the mantelpiece and the harmless-looking ebony caskets at either end, lastly, the whatnot filled with shells, with red pin-cushions, with mother-of-pearl boats and an enormous ostrich-egg, the whole discreetly lighted by a shaded lamp standing on a small round table: this collection of ugly, peaceable, reasonable furniture, AT THE BOTTOM OF THE OPERA CELLARS, bewildered the imagination more than all the late fantastic happenings.
  6. 6.The Turn of the Screw

    Henry James, 1898

    Also dread. A governess alone with two charming children begins to see figures no one else admits—and to wonder whether she is their protector or their danger.

    My second was a violent perception of the mistake of my first: the man who met my eyes was not the person I had precipitately supposed. There came to me thus a bewilderment of vision of which, after these years, there is no living view that I can hope to give. An unknown man in a lonely place is a permitted object of fear to a young woman privately bred; and the figure that faced me was—a few more seconds assured me—as little anyone else I knew as it was the image that had been in my mind. I had not seen it in Harley Street—I had not seen it anywhere. The place, moreover, in the strangest way in the world, had, on the instant, and by the very fact of its appearance, become a solitude.
  7. 7.Brave New World

    Aldous Huxley, 1932

    Also power and curiosity. An engineered future where comfort is compulsory and happiness is manufactured—and one outsider asks what was sacrificed to get it.

  8. 11.Clockwork Angel

    Cassandra Clare, 2010

    Also dread and freedom. A girl who can become anyone by touching their belongings is held captive in gaslit London, where angels and clockwork hide in plain sight.

  9. 12.Ghost Stories

    E. F. Benson, 1912

    Also dread. English ghosts by a bishop's son who wrote them with a civilised smile: haunted bedrooms, village rites, and a dead man fretting through his own séance.

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