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North and South

Elizabeth Gaskell (1810–1865), 1854

Classics

A parson's daughter moves to a smoke-blackened mill town and finds her convictions about class, masters and love tested by a manufacturer who believes no one owes anybody anything. The voice is plain and witty, with a steady undercurrent of longing and unease as old memories press against smoky new streets.

Feels like longing, unease and hope. About memory, faith and death.

Who it’s for

You may like it if you enjoy Victorian social novels where courtship and class conflict are argued out in conversation. Be prepared for mid-Victorian diction and long debates about masters and workers, and for the weekly-instalment origins that can make some chapters feel clipped.

Why read it

It gives you a grounded look at how people change their minds about money, work and each other, with a love story that grows out of argument rather than ease.

Pages from the book

Describing the place you love to someone who will never see it.

She saw it in dreams more vivid than life, and as she fell away to slumber at nights her memory wandered in all its pleasant places. But her heart was opened to this girl: “Oh, Bessy, I loved the home we have left so dearly! I wish you could see it. I cannot tell you half its beauty. There are great trees standing all about it, with their branches stretching long and level, and making a deep shade of rest even at noonday. And yet, though every leaf may seem still, there is a continual rushing sound of movement all around—not close at hand. Then sometimes the turf is as soft and fine as velvet; and sometimes quite lush with the perpetual moisture of a little, hidden, tinkling brook near at hand.

The quiet discovery that home has carried on without you.

And, somehow, this visit to Helstone had not been all—had not been exactly what she had expected. There was change everywhere; slight, yet pervading all. Households were changed by absence, or death, or marriage, or the natural mutations brought by days and months and years, which carry us on imperceptibly from childhood to youth, and thence through manhood to age, whence we drop like fruit, fully ripe, into the quiet mother earth.

A room kept so carefully that nobody has ever sat in it.

There was no one in the drawing-room. It seemed as though no one had been in it since the day when the furniture was bagged up with as much care as if the house was to be overwhelmed with lava, and discovered a thousand years hence. The walls were pink and gold; the pattern on the carpet represented bunches of flowers on a light ground, but it was carefully covered up in the centre by a linen drugget, glazed and colourless. The window-curtains were lace; each chair and sofa had its own particular veil of netting or knitting. Great alabaster groups occupied every flat surface, safe from dust under their glass shades. In the middle of the room, right under the bagged-up chandelier, was a large circular table, with smartly-bound books arranged at regular intervals round the circumference of its polished surface, like gaily coloured spokes of a wheel.

More passages from North and South

Elizabeth Gaskell.Gaskell wrote North and South in weekly instalments for Dickens's Household Words and chafed at the strict length; Dickens edited her copy without always consulting her.

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Questions readers ask

Is North and South for me?
You may like it if you enjoy Victorian social novels where courtship and class conflict are argued out in conversation. Be prepared for mid-Victorian diction and long debates about masters and workers, and for the weekly-instalment origins that can make some chapters feel clipped.
What is North and South like?
The voice is plain and witty, with a steady undercurrent of longing and unease as old memories press against smoky new streets. Feels like longing, unease and hope. About memory, faith and death.
What should I read after North and South?
If you liked North and South, try Normal People (Sally Rooney), The Age of Innocence (Edith Wharton) and Democracy and Social Ethics (Jane Addams).

A taste of the feed

  1. The bill for a corrupt city is addressed to everyone who lives in it.

    We are all involved in this political corruption, and as members of the community stand indicted. This is the penalty of a democracy—that we are bound to move forward or retrograde together. None of us can stand aside; our feet are mired in the same soil, and our lungs breathe the same air.

    Democracy and Social Ethics · Jane Addams

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