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Books like The Professor’s House

If The Professor’s House stayed with you, these share its feel: identity, melancholy and memory. Each comes with a real page, so you can tell in a minute.

About The Professor’s House · Willa Cather

  1. 1.Jacob’s Room

    Virginia Woolf, 1925

    Also melancholy and identity. An intimate dive into the fractured consciousness of modern life, exploring how a single glance, a passing thought, or a shared moment can alter our understanding of existence.

    It seems then that men and women are equally at fault. It seems that a profound, impartial, and absolutely just opinion of our fellow-creatures is utterly unknown. Either we are men, or we are women. Either we are cold, or we are sentimental. Either we are young, or growing old. In any case life is but a procession of shadows, and God knows why it is that we embrace them so eagerly, and see them depart with such anguish, being shadows. And why, if this—and much more than this is true, why are we yet surprised in the window corner by a sudden vision that the young man in the chair is of all things in the world the most real, the most solid, the best known to us—why indeed?
  2. 2.Memoirs of a Geisha

    Arthur Golden, 1997

    Also longing and memory. A fisherman's daughter in 1930s Japan is sold into a geisha house and learns to survive by turning memory, manners and performance into art.

    In our little fishing village of Yoroido, I lived in what I called a “tipsy house.” It stood near a cliff where the wind off the ocean was always blowing. As a child it seemed to me as if the ocean had caught a terrible cold, because it was always wheezing and there would be spells when it let out a huge sneeze — which is to say there was a burst of wind with a tremendous spray. I decided our tiny house must have been offended by the ocean sneezing in its face from time to time, and took to leaning back because it wanted to get out of the way. Probably it would have collapsed if my father hadn’t cut a timber from a wrecked fishing boat to prop up the eaves, which made the house look like a tipsy old man leaning on his crutch.
    Excerpt from Memoirs of a Geisha, Arthur Golden, Vintage 1997. Quoted for discovery. Source Rights & removals
  3. 3.Circe

    Madeline Miller, 2018

    Also identity and melancholy. The witch of the Odyssey tells her own story: exile, transformation, and the dangerous bargain of loving mortals.

    It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment’s carelessness. If I had ever believed it, I no longer did.
    Excerpt from Circe, Madeline Miller 2018. Quoted for discovery. Source Rights & removals
  4. 4.Ulysses

    James Joyce, 1922

    Also art and identity. One Dublin day in 1904, followed through two men's minds — an ad-canvasser and a young writer — with every joke, smell and stray thought left in.

    Their dog ambled about a bank of dwindling sand, trotting, sniffing on all sides. Looking for something lost in a past life. Suddenly he made off like a bounding hare, ears flung back, chasing the shadow of a lowskimming gull. The man’s shrieked whistle struck his limp ears. He turned, bounded back, came nearer, trotted on twinkling shanks. On a field tenney a buck, trippant, proper, unattired. At the lacefringe of the tide he halted with stiff forehoofs, seawardpointed ears. His snout lifted barked at the wavenoise, herds of seamorse. They serpented towards his feet, curling, unfurling many crests, every ninth, breaking, plashing, from far, from farther out, waves and waves.
  5. 5.Middlemarch

    George Eliot, 1872

    Also identity and melancholy. A provincial town, a clever woman married to the wrong scholar, an ambitious doctor, and the slow, comic, devastating work of learning that other people are real.

    We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves: Dorothea had early begun to emerge from that stupidity, but yet it had been easier to her to imagine how she would devote herself to Mr. Casaubon, and become wise and strong in his strength and wisdom, than to conceive with that distinctness which is no longer reflection but feeling—an idea wrought back to the directness of sense, like the solidity of objects—that he had an equivalent centre of self, whence the lights and shadows must always fall with a certain difference.
  6. 6.The French Lieutenant's Woman

    John Fowles, 1969

    Also curiosity and longing. A Victorian gentleman, a mysterious woman on the Cobb, and a novelist who keeps interrupting to ask whether any of us are free.

    A tiny wren perched on top of a bramble not ten feet from him and trilled its violent song. He saw its glittering black eyes, the red and yellow of its song-gaped throat — a midget ball of feathers that yet managed to make itself the Announcing Angel of evolution: I am that I am, thou shalt not pass my being now. He stood as Pisanello’s saint stood, astonished perhaps more at his own astonishment at this world’s existing so close, so within reach of all that suffocating banality of ordinary day. In those few moments of defiant song, any ordinary hour or place — and therefore the vast infinity of all Charles’s previous hours and places — seemed vulgarized, coarsened, made garish.
    Excerpt from The French Lieutenant's Woman, John Fowles, Random House 1969. Quoted for discovery. Source Rights & removals
  7. 8.Madame Bovary

    Gustave Flaubert, 1856

    Also longing and melancholy. A provincial doctor's wife reads too many novels and then marries one; the most exact book ever written about wanting a life bigger than the one you've got.

  8. 10.Norwegian Wood

    Haruki Murakami, 1987

    Also melancholy and memory. A Tokyo student is pulled between a fragile girl from his past and a loud, alive girl in his present. Memory, desire, and grief, set to Beatles songs.

  9. 12.The Great Gatsby

    F. Scott Fitzgerald, 1925

    Also longing and melancholy. A short, dazzling novel about a summer of parties on Long Island and the man who throws them for one reason. Every sentence is built to be reread, and the ending is hard to shake.

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