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Where the Crawdads Sing

Delia Owens, 2018

Historical fiction Mystery, thriller & crimeContemporary fictionLiterary fiction

A marsh-raised girl, a suspicious death, and a wild coast that keeps its secrets—for readers who want nature writing with a human mystery at the edge. The marsh itself seems to breathe through the prose, quiet and lyrical, with loneliness and longing pressing at the edges of a slow mystery.

Feels like melancholy, longing and unease. About nature, solitude and family.

Who it’s for

You may like it if you enjoy lyrical nature writing wrapped around a small-town mystery and a solitary, resilient heroine. The novel lingers in marsh detail and a lonely childhood, so the crime thread can feel like a slow burn.

Why read it

Owens brings a scientist's eye to the marsh and a storyteller's ear to Kya's isolation, giving you a mystery that is also a study of belonging.

A page from the book

The moment a child learns that a goodbye is different from an errand.

Ma always looked back where the foot lane met the road, one arm held high, white palm waving, as she turned onto the track, which wove through bog forests, cattail lagoons, and maybe-if the tide obliged-eventually into town. But today she walked on, unsteady in the ruts. Her tall figure emerged now and then through the holes of the forest until only swatches of white scarf flashed between the leaves. Kya sprinted to the spot she knew would bare the road; surely Ma would wave from there, but she arrived only in time to glimpse the blue case-the color so wrong for the woods-as it disappeared. A heaviness, thick as black-cotton mud, pushed her chest as she returned to the steps to wait.
Excerpt from Where the Crawdads Sing, Delia Owens, G.P. Putnam's Sons 2018. Quoted for discovery. Source Rights & removals

Delia Owens.Before fiction, Owens was a wildlife scientist in Africa; she co-wrote Cry of the Kalahari with her then-husband Mark.

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Questions readers ask

Is Where the Crawdads Sing for me?
You may like it if you enjoy lyrical nature writing wrapped around a small-town mystery and a solitary, resilient heroine. The novel lingers in marsh detail and a lonely childhood, so the crime thread can feel like a slow burn.
What is Where the Crawdads Sing like?
The marsh itself seems to breathe through the prose, quiet and lyrical, with loneliness and longing pressing at the edges of a slow mystery. Feels like melancholy, longing and unease. About nature, solitude and family.
What should I read after Where the Crawdads Sing?
If you liked Where the Crawdads Sing, try Island of the Blue Dolphins (Scott O'Dell), Everything I Never Told You (Celeste Ng) and One Hundred Years of Solitude (Gabriel García Márquez).

A taste of the feed

  1. What it costs to be the only one not counting the dead as profit.

    Many of our tribe went to the cliff each night to count the number killed during the day. They counted the dead otter and thought of the beads and other things that each pelt meant. But I never went to the cove and whenever I saw the hunters with their long spears skimming over the water, I was angry, for these animals were my friends.

    Island of the Blue Dolphins · Scott O'Dell

  2. The moment you realise time isn’t passing but turning in circles.

    —Qué quería —murmuró—, el tiempo pasa. —Así es,—dijo Úrsula—, pero no tanto. Al decirlo, tuvo conciencia de estar dando la misma réplica que recibió del coronel Aureliano Buendía en su celda de sentenciado, y una vez más se estremeció con la comprobación de que el tiempo no pasaba, como ella lo acababa de admitir, sino que daba vueltas en redondo.

    One Hundred Years of Solitude · Gabriel García Márquez

  3. How a father explains race to a child using nothing but the chickens.

    Could I be your girl, too?“ I asked quickly. The large, broad-shouldered man looked away before he answered. ”Well, now,“ he said, as though he had given it deep thought, ”I sure do think I would like that.“ ”But,“ I said, concerned that he hadn’t noticed, ”I don’t look like your other girls.“ ”You mean because you white?“ I nodded. ”Abinia,“ he said, pointing toward the chickens, ”you look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?

    The Kitchen House · Kathleen Grissom

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