Tombstone
Walter Noble Burns (1866–1932), 1926
★ 3.79 from 57 ratings on Goodreads
Silver boom, saloons and hired guns in the Arizona desert, told by a newspaperman who hunted down the ageing survivors and let them talk. The book moves like a newspaperman's tour through desert saloons and old gunmen's memories, dramatic, nostalgic, and often shadowed by death.
Feels like nostalgia, awe and melancholy. About adventure, death and memory.
Who it’s for
You may like it if you want history told through old-timers' voices, with gunfights, saloons, and desert boomtown detail. The 1926 newspaper prose and its period attitudes toward Apache people and violence can feel dated.
Why read it
What you get is the texture of a myth being made: ageing survivors, hired guns, and a desert town remembered while the stories were still warm.
Pages from the book
What a sleeping child does to the man who finds her.
John Slaughter stepped inside a wickiup. Something that, in the shadowy light, looked a little like a sack of flour caught his eye. Curious, he reached out the muzzle of his rifle to give the thing a poke. The sack of flour gave a sudden little tossing movement. It was a baby—a tiny Apache girl perhaps a year old, fast asleep on a deerskin. Black hair was tousled on the little head; long black eyelashes lay against the cheeks of dusky rose; the breath came and went as peacefully as if the child were sheltered in its mother’s arms. All the noise of the attack and flight had left the baby’s slumbers undisturbed. What a man does after he gets everything he ever wanted.
For twenty years since he had stood in thrilling triumph beside his newfound riches in the Tombstone hills, he had heard the still small insistent voice of the wilderness calling him back. He had assayed civilization and found only disillusion. The pleasures of wealth were not in its possession, but in the adventure of finding it. Society, with its pride, pretense, jealousies, and vainglory, was for others. Sweeter far to him were camp fire bacon and coffee in a desert than the luxuries of cities. One lonely purple mountain was worth all the world’s Broadways. So the rich man laid off his fine raiment, put on his old corduroys and his old red flannel shirt, buckled on his old canteen, and, with his old pick on his shoulder, went home to the wilderness. What it means to fold your hand and go out smiling.
The game of life and the game of pool both over. Life for him had been in truth a game, and he had played it with the spirit of a cavalier adventurer, gaily, carelessly, recklessly, bravely—above all, bravely. He had cashed in his chips, shoved back his chair, and gone out with a smile into the eternal silence. Walter Noble Burns.Burns, a Kentucky-born reporter, published this half a century after the O.K. Corral, when the gunfight was already sliding from memory into myth.
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Questions readers ask
- Is Tombstone for me?
- You may like it if you want history told through old-timers' voices, with gunfights, saloons, and desert boomtown detail. The 1926 newspaper prose and its period attitudes toward Apache people and violence can feel dated.
- What is Tombstone like?
- The book moves like a newspaperman's tour through desert saloons and old gunmen's memories, dramatic, nostalgic, and often shadowed by death. Feels like nostalgia, awe and melancholy. About adventure, death and memory.
- What should I read after Tombstone?
- If you liked Tombstone, try Beowulf (Beowulf poet), Journey to the Center of the Earth (Jules Verne) and The Elusive Pimpernel (Baroness Orczy).
A taste of the feed
What a man wants when he is tired of being extraordinary.
All that was most human in him, all that was weak in this strong and untamed nature, cried aloud for peace and luxury and idleness: for long summer afternoons spent in lazy content, for the companionship of horses and dogs and of flowers, with no thought or cares save those for the next evening’s gavotte, no graver occupation save that of sitting at her feet.
The Elusive Pimpernel · Baroness Orczy
He has no comfort to give her except the shape of what is coming.
So speaking, to the arms of his dear spouse He gave the boy; she on her fragrant breast Received him, weeping as she smiled. The chief Beheld, and, moved with tender pity, smoothed Her forehead gently with his hand and said:— “Sorrow not thus, beloved one, for me. No living man can send me to the shades Before my time; no man of woman born, Coward or brave, can shun his destiny. But go thou home, and tend thy labors there— The web, the distaff—and command thy maids To speed the work: The cares of war pertain To all men born in Troy, and most to me.”
The Iliad · Homer
A wind that carries every love story ever told.
Always it brought softly to him strange, sweet tidings of far-off things. It blew from a place that was old and whispered of youth. It blew down the grooves of time. It brought a story of the passing hours. It breathed low of fighting men and praying women. It sang clearly the song of love. That ever was the burden of its tidings—youth in the shady woods, waders through the wet meadows, boy and girl at the hedgerow stile, bathers in the booming surf, sweet, idle hours on grassy, windy hills, long strolls down moonlit lanes—everywhere in far-off lands, fingers locked and bursting hearts and longing lips—from all the world tidings of unquenchable love.
Riders of the Purple Sage · Zane Grey
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