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Robert W. Chambers

1865–1933

Chambers trained as a painter in Paris and wrote these stories in 1895 between society novels; Lovecraft later borrowed the Yellow Sign and the lake of Hali from them.

Feels like dread, madness and unease.

Dusk, a drum, and a palace that will never hear this again.

The fading light lingered a moment on his belt and bayonet, then he passed into the shadows, drumming the echoes awake. The roll became fainter along the eastern terrace, then grew and grew and rattled with increasing sharpness when he passed the avenue by the bronze lion and turned down the western terrace walk. Louder and louder the drum sounded, and the echoes struck back the notes from the grey palace wall; and now the drummer loomed up before them—his red trousers a dull spot in the gathering gloom, the brass of his drum and bayonet touched with a pale spark, his epaulettes tossing on his shoulders. He passed leaving the crash of the drum in their ears, and far into the alley of trees they saw his little tin cup shining on his haversack.
— The King in Yellow, Robert W. Chambers (1895)

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