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Books like Dracula

If Dracula stayed with you, these share its feel: dread, death and unease. Each comes with a real page, so you can tell in a minute.

About Dracula · Bram Stoker

  1. 1.Carmilla

    Joseph Sheridan Le Fanu, 1872

    Also dread and unease. A lonely girl in a castle falls for a beautiful guest who arrives by night—a vampire story told through desire, dread and ambiguity.

    Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardor of a lover; it embarrassed me; it was hateful and yet over-powering; and with gloating eyes she drew me to her, and her hot lips traveled along my cheek in kisses; and she would whisper, almost in sobs, “You are mine, you shall be mine, you and I are one for ever.” Then she had thrown herself back in her chair, with her small hands over her eyes, leaving me trembling.
  2. 2.Frankenstein

    Mary Shelley, 1818

    Also morality and dread. A young scientist makes life and then cannot face what he has made. Told in nested voices, it asks who owes what to whom, and why ambition so often ends in solitude.

    “But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing. From my earliest remembrance I had been as I then was in height and proportion. I had never yet seen a being resembling me or who claimed any intercourse with me. What was I? The question again recurred, to be answered only with groans.
  3. 3.The strange case of Dr. Jekyll and Mr. Hyde

    Robert Louis Stevenson, 1886

    Also dread and morality. A short, fast Victorian mystery that works as a thriller and as a sharp study of respectability, appetite and the parts of ourselves we prefer to keep out of sight.

    And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens. I, for my part, from the nature of my life, advanced infallibly in one direction and in one direction only.
  4. 4.Wuthering Heights

    Emily Brontë, 1847

    Also dread and power. A storm of a love story told by two unreliable narrators, in which childhood devotion curdles into revenge across two generations on the Yorkshire moors.

    “Nelly, help me to convince her of her madness. Tell her what Heathcliff is: an unreclaimed creature, without refinement, without cultivation; an arid wilderness of furze and whinstone. I’d as soon put that little canary into the park on a winter’s day, as recommend you to bestow your heart on him! It is deplorable ignorance of his character, child, and nothing else, which makes that dream enter your head. Pray, don’t imagine that he conceals depths of benevolence and affection beneath a stern exterior! He’s not a rough diamond—a pearl-containing oyster of a rustic: he’s a fierce, pitiless, wolfish man. I never say to him, ‘Let this or that enemy alone, because it would be ungenerous or cruel to harm them;’ I say, ‘Let them alone, because I should hate them to be wronged:’ and he’d crush you like a sparrow’s egg, Isabella, if he found you a troublesome charge.
  5. 5.The Phantom of the Opera

    Gaston Leroux, 1910

    Also dread. A masked figure haunts the Paris Opera, secretly tutoring a young singer — a gothic thriller about genius, ugliness, and what love demands.

    After the deceptions and illusions of the torture-chamber, the precision of the details of that quiet little middle-class room seemed to have been invented for the express purpose of puzzling the mind of the mortal rash enough to stray into that abode of living nightmare. The wooden bedstead, the waxed mahogany chairs, the chest of drawers, those brasses, the little square antimacassars carefully placed on the backs of the chairs, the clock on the mantelpiece and the harmless-looking ebony caskets at either end, lastly, the whatnot filled with shells, with red pin-cushions, with mother-of-pearl boats and an enormous ostrich-egg, the whole discreetly lighted by a shaded lamp standing on a small round table: this collection of ugly, peaceable, reasonable furniture, AT THE BOTTOM OF THE OPERA CELLARS, bewildered the imagination more than all the late fantastic happenings.
  6. 6.Crime and Punishment

    Fyodor Dostoevsky, 1866

    Also power and dread. A broke student in St. Petersburg tests a theory that some people are above the law, and discovers the cost is not legal but psychological.

    And if only fate would have sent him repentance—burning repentance that would have torn his heart and robbed him of sleep, that repentance, the awful agony of which brings visions of hanging or drowning! Oh, he would have been glad of it! Tears and agonies would at least have been life. But he did not repent of his crime.
  7. 7.The Shining

    Stephen King, 1977

    Also dread and unease. A struggling family takes a winter job in an empty mountain hotel, where isolation, old violence and a boy's strange gift begin to press in.

  8. 8.The Castle of Otranto

    Horace Walpole, 1764

    Also dread and power. A castle, an enormous helmet fallen from nowhere, and a tyrant with a guilty bloodline: the 1764 novel that invented gothic fiction and is still genuinely strange, funny and frightening.

  9. 10.Jane Eyre

    Charlotte Brontë, 1847

    An orphan with no money, no beauty and a ferocious sense of her own worth takes a job at a strange house. A first-person voice that still feels startlingly direct.

  10. 11.The Odyssey

    Homer, -800

    Also dread. The first great story about a journey home — and every stop along the way is a good reason to give up.

  11. 12.Uncle Silas

    Sheridan Le Fanu, 1864

    Also dread and unease. A nervous heiress is sent to live with her mysterious uncle in a decaying mansion, where charm and menace wear the same face.

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