The Only One Left
Riley Sager, 2023
Αστυνομικά και θρίλερ Σύγχρονη πεζογραφία
Ατμόσφαιρα: φόβος και περιέργεια. Μιλά για τη μοναξιά, τη μνήμη και την κοινωνία.
Μια σελίδα από το βιβλίο
But that’s not what you’re most curious about, is it? You want to know if I’m as evil as everyone says I am. The answer is no. And yes. Βιβλία με παρόμοια αίσθηση
Περισσότερα βιβλία — Riley Sager
Πού θα το βρεις
Από κάποιους από αυτούς τους συνδέσμους παίρνουμε μια μικρή προμήθεια, χωρίς επιπλέον κόστος για σένα. Έτσι το BookFeed μένει δωρεάν.
Ερωτήσεις αναγνωστών
- Πώς είναι το «The Only One Left»;
- Ατμόσφαιρα: φόβος και περιέργεια. Μιλά για τη μοναξιά, τη μνήμη και την κοινωνία.
- Τι να διαβάσω μετά το «The Only One Left»;
- Αν σου άρεσε το «The Only One Left», δοκίμασε «The Girl With the Dragon Tattoo» (Stieg Larsson), «Rebecca» (Daphne du Maurier) και «And Then There Were None» (Agatha Christie).
Μια γεύση από τη ροή
What a wall of forty-three pressed flowers can tell you that the police never could.
After putting down the telephone the eighty-two-year-old birthday boy sat for a long time looking at the pretty but meaningless flower whose name he did not yet know. Then he looked up at the wall above his desk. There hung forty-three pressed flowers in their frames. Four rows of ten, and one at the bottom with four. In the top row one was missing from the ninth slot. Desert Snow would be number forty-four.
The Girl With the Dragon Tattoo · Stieg Larsson
The house you can never return to, waiting at the end of the road.
The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
Rebecca · Daphne du Maurier
A house with no shadows at all, and every guest locking a door.
The others went upstairs, a slow unwilling procession. If this had been an old house, with creaking wood, and dark shadows, and heavily panelled walls, there might have been an eerie feeling. But this house was the essence of modernity. There were no dark corners - no possible sliding panels - it was flooded with electric light - everything was new and bright and shining. There was nothing hidden in this house, nothing concealed. It had no atmosphere about it. Somehow, that was the most frightening thing of all. They exchanged good-nights on the upper landing. Each of them went into his or her own room, and each of them automatically, almost without conscious thought, locked the door....
And Then There Were None · Agatha Christie
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