The Girl With the Dragon Tattoo
Stieg Larsson, 2005
Αστυνομικά και θρίλερ Σύγχρονη πεζογραφία
Ατμόσφαιρα: περιέργεια και φόβος. Μιλά για τη μνήμη, την εξουσία και την αγάπη.
Μια σελίδα από το βιβλίο
After putting down the telephone the eighty-two-year-old birthday boy sat for a long time looking at the pretty but meaningless flower whose name he did not yet know. Then he looked up at the wall above his desk. There hung forty-three pressed flowers in their frames. Four rows of ten, and one at the bottom with four. In the top row one was missing from the ninth slot. Desert Snow would be number forty-four. Βιβλία με παρόμοια αίσθηση
Περισσότερα βιβλία — Stieg Larsson
Το κορίτσι που έπαιζε με τη φωτιά
Stieg Larsson, 2007
Μια τραυματισμένη γυναίκα, ένας γιατρός στα επείγοντα που μετρά τα λεπτά κι ένας δημοσιογράφος με χειροπέδες: ένα θρίλερ για τον μηχανισμό που προστατεύει τη μυστική εξουσία.
The Girl Who Played with Fire
Stieg Larsson, 2006
Πού θα το βρεις
Από κάποιους από αυτούς τους συνδέσμους παίρνουμε μια μικρή προμήθεια, χωρίς επιπλέον κόστος για σένα. Έτσι το BookFeed μένει δωρεάν.
Ερωτήσεις αναγνωστών
- Πώς είναι το «The Girl With the Dragon Tattoo»;
- Ατμόσφαιρα: περιέργεια και φόβος. Μιλά για τη μνήμη, την εξουσία και την αγάπη.
- Τι να διαβάσω μετά το «The Girl With the Dragon Tattoo»;
- Αν σου άρεσε το «The Girl With the Dragon Tattoo», δοκίμασε «The Locked Door» (Freida McFadden), «And Then There Were None» (Agatha Christie) και «Verity» (Colleen Hoover).
Μια γεύση από τη ροή
An inventory of a father delivered with terrifying calm.
He is exceptionally charismatic and charming—at least, when he wants to be. He is a narcissist and a psychopath, who likely killed at least thirty women without a trace of remorse. He is insane. He is a monster. He is also my father.
The Locked Door · Freida McFadden
A house with no shadows at all, and every guest locking a door.
The others went upstairs, a slow unwilling procession. If this had been an old house, with creaking wood, and dark shadows, and heavily panelled walls, there might have been an eerie feeling. But this house was the essence of modernity. There were no dark corners - no possible sliding panels - it was flooded with electric light - everything was new and bright and shining. There was nothing hidden in this house, nothing concealed. It had no atmosphere about it. Somehow, that was the most frightening thing of all. They exchanged good-nights on the upper landing. Each of them went into his or her own room, and each of them automatically, almost without conscious thought, locked the door....
And Then There Were None · Agatha Christie
Some people keep a darker world on hand so the real one stays bearable.
I needed for the imaginary version of my world to be darker than my real world. Otherwise, I would have wanted to leave them both.
Verity · Colleen Hoover
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