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The Only One Left

Riley Sager, 2023

Mystery, thriller & crime Contemporary fiction

A home-care aide tends a notorious invalid in a crumbling mansion, where every kindness feels like a clue.

Feels like dread and curiosity. About solitude, memory and society.

A page from the book

What someone says when they know you’ve already decided.

But that’s not what you’re most curious about, is it? You want to know if I’m as evil as everyone says I am. The answer is no. And yes.
Excerpt from The Only One Left, Riley Sager 2023. Quoted for discovery. Source Rights & removals

Riley Sager.Riley Sager is the pen name of Todd Ritter.

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Questions readers ask

What is The Only One Left like?
Feels like dread and curiosity. About solitude, memory and society.
What should I read after The Only One Left?
If you liked The Only One Left, try The Girl With the Dragon Tattoo (Stieg Larsson), Rebecca (Daphne du Maurier) and And Then There Were None (Agatha Christie).

A taste of the feed

  1. What a wall of forty-three pressed flowers can tell you that the police never could.

    After putting down the telephone the eighty-two-year-old birthday boy sat for a long time looking at the pretty but meaningless flower whose name he did not yet know. Then he looked up at the wall above his desk. There hung forty-three pressed flowers in their frames. Four rows of ten, and one at the bottom with four. In the top row one was missing from the ninth slot. Desert Snow would be number forty-four.

    The Girl With the Dragon Tattoo · Stieg Larsson

  2. The house you can never return to, waiting at the end of the road.

    The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.

    Rebecca · Daphne du Maurier

  3. A house with no shadows at all, and every guest locking a door.

    The oth­ers went up­stairs, a slow unwilling pro­ces­sion. If this had been an old house, with creak­ing wood, and dark shad­ows, and heav­ily pan­elled walls, there might have been an eerie feel­ing. But this house was the essence of moder­ni­ty. There were no dark corners - ​no pos­si­ble slid­ing pan­els - it was flood­ed with elec­tric light - every­thing was new and bright and shining. There was noth­ing hid­den in this house, noth­ing con­cealed. It had no at­mo­sphere about it. Some­how, that was the most fright­en­ing thing of all. They ex­changed good-​nights on the up­per land­ing. Each of them went in­to his or her own room, and each of them automatical­ly, al­most with­out con­scious thought, locked the door....

    And Then There Were None · Agatha Christie

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