Βιβλία σαν το «Short Fiction»

Her monotonous milking at the dairy was resumed, and followed for many long years, till her form became bent, and her once abundant dark hair white and worn away at the forehead—perhaps by long pressure against the cows. Here, sometimes, those who knew her experiences would stand and observe her, and wonder what sombre thoughts were beating inside that impassive, wrinkled brow, to the rhythm of the alternating milk-streams.

“It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”

"What matters is not that Anna died in childbirth, but that all these Annas, Mavras, Pelageas, toil from early morning till dark, fall ill from working beyond their strength, all their lives tremble for their sick and hungry children, all their lives are being doctored, and in dread of death and disease, fade and grow old early, and die in filth and stench. Their children begin the same story over again as soon as they grow up, and so it goes on for hundreds of years and milliards of men live worse than beasts— in continual terror, for a mere crust of bread. The whole horror of their position lies in their never having time to think of their souls, of their image and semblance.

There was a picture of the family over the mantelpiece, removed thither from the front room after Mrs. Osborne’s death—George was on a pony, the elder sister holding him up a bunch of flowers; the younger led by her mother’s hand; all with red cheeks and large red mouths, simpering on each other in the approved family-portrait manner. The mother lay underground now, long since forgotten—the sisters and brother had a hundred different interests of their own, and, familiar still, were utterly estranged from each other. Some few score of years afterwards, when all the parties represented are grown old, what bitter satire there is in those flaunting childish family-portraits, with their farce of sentiment and smiling lies, and innocence so self-conscious and self-satisfied. Osborne’s own state portrait, with that of his great silver inkstand and armchair, had taken the place of honour in the dining-room, vacated by the family-piece.

Involuntarily he made a gesture as if to ward it off with his hand. After all, he was afraid in his inmost heart of this mighty thing called passion. This storm-wind sweeping away everything settled and authorized and acquired in humanity as if it were dead leaves. He did not like it! This roaring flame squandering itself in its own smoke—no, he wanted to burn slowly.

She would not say of anyone in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.