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The Shadow of the Wind

Carlos Ruiz Zafón, 2001

Historical fiction Mystery, thriller & crimeFantasyContemporary fiction

A boy finds a forgotten novel in post-war Barcelona and becomes obsessed with the vanished author behind it. The novel moves at a leisurely, atmospheric pace, its lyrical voice steeped in memory, wonder and a quiet gothic melancholy.

Feels like wonder, serenity and melancholy. About society, memory and identity.

Who it’s for

You may like it if you enjoy literary mysteries steeped in place, books about books, and a post-war Barcelona full of secrets. The ornate, period-style prose and lingering atmosphere make it a slower read than the crime premise suggests.

Why read it

It gives you a mystery wrapped in a love of books and memory, and a city whose streets feel alive with old stories.

A page from the book

A man who has turned his vanity into a costume, down to the monocle.

Gustavo Barcel= was an old colleague of my father’s who now owned a cavernous establishment on Calle Fernando with a commanding position in the city’s secondhand-book trade. Perpetually affixed to his mouth was an unlit pipe that impregnated his person with the aroma of a Persian market. He liked to describe himself as the last romantic, and he was not above claiming that a remote line in his ancestry led directly to Lord Byron himself. As if to prove this connection, Barcel= fashioned his wardrobe in the style of a nineteenth-century dandy. His casual attire consisted of a cravat, white patent leather shoes, and a plain glass monocle that, according to malicious gossip, he did not remove even in the intimacy of the lavatory.
Excerpt from The Shadow of the Wind, Carlos Ruiz Zafón, Penguin Books 2001. Quoted for discovery. Source Rights & removals

Carlos Ruiz Zafón.Zafón worked in advertising and film before turning to novels; The Shadow of the Wind became one of the best-selling Spanish novels ever and made him a global name.

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Where to get it

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Questions readers ask

Is The Shadow of the Wind for me?
You may like it if you enjoy literary mysteries steeped in place, books about books, and a post-war Barcelona full of secrets. The ornate, period-style prose and lingering atmosphere make it a slower read than the crime premise suggests.
What is The Shadow of the Wind like?
The novel moves at a leisurely, atmospheric pace, its lyrical voice steeped in memory, wonder and a quiet gothic melancholy. Feels like wonder, serenity and melancholy. About society, memory and identity.
What should I read after The Shadow of the Wind?
If you liked The Shadow of the Wind, try The Thirteenth Tale (Diane Setterfield), Memoirs of a Geisha (Arthur Golden) and Cloud Cuckoo Land (Anthony Doerr).

A taste of the feed

  1. What we lose when a book goes out of the world.

    Repository,” he finally says, “you know this word? A resting place. A text—a book—is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.” His eyes open very widely then, as though he peers into a great darkness. “But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.

    Cloud Cuckoo Land · Anthony Doerr

  2. The difference between being remembered and being known.

    Last night, she told him hers was Jess. She lied, but only because she can’t say her real name—one of the vicious little details tucked like nettles in the grass. Hidden barbs designed to sting. What is a person, if not the marks they leave behind? She has learned to step between the thorny weeds, but there are some cuts that cannot be avoided—a memory, a photograph, a name.

    The Invisible Life of Addie LaRue · V.E. Schwab

  3. The fairy tale that explains why some people keep striking matches.

    And that stupid little girl stood in the winter and kept lighting matches to catch glimpses of families that weren’t—could never be—hers and froze to death in those harsh moments of reality between matches, because even though matches can burn, they’re light, not heat.

    The Butterfly Garden · Dot Hutchison

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