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2001

Arthur C. Clarke, 1968

Science fiction Contemporary fictionLiterary fiction

A black slab buried on the Moon sends a signal toward Jupiter, and the crew sent to follow it must trust a computer that has begun to think for itself.

Feels like awe, curiosity and dread. About freedom.

A page from the book

The one thing no one can prepare for is the ordinary.

He was prepared, he thought, for any wonder. The only thing he had never expected was the utterly commonplace.
Excerpt from 2001, Arthur C. Clarke 1968. Quoted for discovery. Source Rights & removals

Arthur C. Clarke.Clarke wrote the screenplay with Stanley Kubrick while the novel was still in progress; the film and book were released in the same year, 1968.

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Questions readers ask

What is 2001 like?
Feels like awe, curiosity and dread. About freedom.
What should I read after 2001?
If you liked 2001, try Foundation (Isaac Asimov), And Then There Were None (Agatha Christie) and Jurassic Park (Michael Crichton).

A taste of the feed

  1. What it feels like to wait for a whole planet to appear.

    What Gaal was waiting for after the disappointment of the Jump was that first sight of Trantor. He haunted the View-room. The steel shutter-lids were rolled back at announced times and he was always there, watching the hard brilliance of the stars, enjoying the incredible hazy swarm of a star cluster, like a giant conglomeration of fireflies caught in mid-motion and stilled forever. At one time there was the cold, blue-white smoke of a gaseous nebula within five light years of the ship, spreading over the window like distant milk, filling the room with an icy tinge, and disappearing out of sight two hours later, after another Jump.

    Foundation · Isaac Asimov

  2. A house with no shadows at all, and every guest locking a door.

    The oth­ers went up­stairs, a slow unwilling pro­ces­sion. If this had been an old house, with creak­ing wood, and dark shad­ows, and heav­ily pan­elled walls, there might have been an eerie feel­ing. But this house was the essence of moder­ni­ty. There were no dark corners - ​no pos­si­ble slid­ing pan­els - it was flood­ed with elec­tric light - every­thing was new and bright and shining. There was noth­ing hid­den in this house, noth­ing con­cealed. It had no at­mo­sphere about it. Some­how, that was the most fright­en­ing thing of all. They ex­changed good-​nights on the up­per land­ing. Each of them went in­to his or her own room, and each of them automatical­ly, al­most with­out con­scious thought, locked the door....

    And Then There Were None · Agatha Christie

  3. Every fence you build is a hypothesis about what cannot get through.

    Because the history of evolution is that life escapes all barriers. Life breaks free. Life expands to new territories. Painfully, perhaps even dangerously. But life finds a way.

    Jurassic Park · Michael Crichton

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