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Kristin Hannah

Kristin Hannah writes about ordinary people pushed into hard places, and her novels tend to sit with the cost of that pushing: families under strain, women finding out what they will do when the safe options run out. Start with «The Nightingale», two sisters in occupied France, if you want the fullest measure of what she does; or «The Great Alone», a girl and her parents on forty acres of Alaska, if a smaller family story with weather in it sounds more like yours.

Feels like family, hope and identity.

Start with The Nightingale.

Before she wrote novels full-time, Kristin Hannah practiced law in Seattle—an unlikely apprenticeship for a writer of wartime epic.

What we keep in boxes when we can't admit we're letting go.

I see the rocking chair I used when my grandchildren were young, then an old crib and a ratty-looking rocking horse set on rusty springs, and the chair my daughter was refinishing when she got sick. Boxes are tucked along the wall, marked “Xmas,” “Thanksgiving,” “Easter,” “Halloween,” “Serveware,” “Sports.” In those boxes are the things I don’t use much anymore but can’t bear to part with. For me, admitting that I won’t decorate a tree for Christmas is giving up, and I’ve never been good at letting go. Tucked in the corner is what I am looking for: an ancient steamer trunk covered in travel stickers.
Excerpt from The Nightingale, Kristin Hannah 2015. Quoted for discovery. Source Rights & removals

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