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George R. R. Martin

George R. R. Martin writes fantasy as political weather: winters that last years, families who keep ledgers of old insults, and people whose cleverness and honor both turn out to cost them. The books share a cold, patient realism—feasts, sieges, marriages and betrayals, with magic kept at the edges—and they reward you for paying attention to who owes what to whom. Start with «A Game of Thrones», which sets the board: a throne everyone wants and choices that each carry a price; if you want a single taste of the series at its most concentrated, «A Storm of Swords» moves its pieces with particular force.

Feels like power, dread and war.

Start with A Feast for Crows.

The book was split from a larger manuscript: Martin divided the characters by geography, sending the North and Essos to A Dance with Dragons and leaving the south to this volume.

Grief arrives first as the hole a lost tooth leaves behind.

No, that cannot be. That is not the way a lion dies. The queen felt strangely calm. She remembered the first time she had lost a tooth, when she was just a little girl. It hadn’t hurt, but the hole in her mouth felt so odd she could not stop touching it with her tongue. Now there is a hole in the world where Father stood, and holes want filling.
Excerpt from A Feast for Crows, George R. R. Martin, Random House Worlds 2005. Quoted for discovery. Source Rights & removals

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