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Suzanne Collins

Suzanne Collins writes about young people caught inside systems that use them as entertainment, and the tension comes from watching them decide, again and again, what they are willing to do to stay themselves. Start with «The Hunger Games», where a sixteen-year-old volunteers for a televised fight to the death and learns that survival is a performance, a rebellion, and a love story all at once; then «Catching Fire» carries that same pressure into a larger, more dangerous game. The books share a plain, fast voice and a steady attention to the cost of every choice, which is why they pull you through even as the world around the characters gets colder.

Feels like dread, power and defiance.

Start with Catching Fire.

The Hunger Games was inspired by Suzanne Collins's childhood fear of the atomic bomb and her fascination with survival stories.

What is the cost of convincing a system it is fragile?

“I think we’ll make this whole situation a lot simpler by agreeing not to lie to each other,” he says. “What do you think?”I think my tongue has frozen and speech will be impossible, so I surprise myself by answering back in a steady voice, “Yes, I think that would save time.”“Whatever problems anyone may have with the Capitol, believe me when I say that if it released its grip on the districts for even a short time, the entire system would collapse.” [...]“It must be very fragile, if a handful of berries can bring it down.”
Excerpt from Catching Fire, Suzanne Collins, Van Goor 2008. Quoted for discovery. Source Rights & removals

Books by Suzanne Collins

Mockingjay

Suzanne Collins, 2010

The final Hunger Games volume: the girl who survived the state's televised death match is now the face of a war she never wanted to lead.

Φωτιά

Suzanne Collins, 2009

A survivor returns to a home that no longer fits, while the Capitol turns remembrance into a public spectacle. A tense story of power, loyalty and the cost of being watched.

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