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Passages from The Old Man in the Corner

Pages from The Old Man in the Corner that stand on their own, chosen for how they read today. The text is in the public domain.

What it costs to be the strangest person in the room.

The man in the corner readjusted his collar and necktie, which, during the narrative of this interesting mystery, had worked its way up his long, crane-like neck under his large flappy ears. His costume of checked tweed of a peculiarly loud pattern had tickled the fancy of some of the waitresses, who were standing gazing at him and giggling in one corner. This evidently made him nervous. He gazed up very meekly at Polly, looking for all the world like a bald-headed adjutant dressed for a holiday.
— The Old Man in the Corner, Baroness Orczy (1909)

The small ceremony a mind performs before it will tell you anything.

The man in the corner cocked his funny thin head on one side and looked at Polly; then he took up his beloved bit of string and deliberately untied every knot he had made in it. When it was quite smooth he laid it out upon the table.
— The Old Man in the Corner, Baroness Orczy (1909)

What you give the person who has everything and admits nothing.

Polly made no comment, but drew from her pocket a beautiful piece of string, and knowing his custom of knotting such an article while unravelling his mysteries, she handed it across the table to him. She positively thought that he blushed.
— The Old Man in the Corner, Baroness Orczy (1909)

A storyteller who knows exactly how much he is enjoying himself.

“I am waxing melodramatic,” said the man in the corner, who looked up at Polly with a mild and gentle smile, while his nervous fingers vainly endeavoured to add another knot on the scrappy bit of string with which he was continually playing, “and I fear that the whole story savours of the penny novelette, but you must admit, and no doubt you remember, that it was an intensely pathetic and truly dramatic moment.
— The Old Man in the Corner, Baroness Orczy (1909)

Some faces are remembered for what has been subtracted from them.

That is what struck me most when I elbowed my way into the court that morning and first caught sight of the millionaire in the dock. He was a tall, soldierly-looking man, upright in stature, his face very bronzed and tanned. He wore neither moustache nor beard, his hair was cropped quite close to his head, like a Frenchman’s; but, of course, what was so very remarkable about him was that total absence of eyebrows and even eyelashes, which gave the face such a peculiar appearance—as you say, a perpetually astonished look.
— The Old Man in the Corner, Baroness Orczy (1909)

Before asking who, ask who was short of money.

“You are astonished?” he added with a shrug of the shoulders, “you do not see the tragedy yet, as I have seen it before me all along. The frivolous young wife, the flirtation with the friend?—all a blind, all pretence. I took the trouble which the police should have taken immediately, of finding out something about the finances of the Hazeldene ménage. Money is in nine cases out of ten the keynote to a crime.
— The Old Man in the Corner, Baroness Orczy (1909)

The crowd's logic, which is appetite dressed up as proof.

“Strange to say,” continued the man in the corner after a while, “public opinion from the first went dead against the accused. The public is absolutely like a child, perfectly irresponsible and wholly illogical; it argued that since Miss Crawford had been ready to contract a marriage with a half-demented, deformed creature for the sake of his £100,000 she must have been equally ready to murder and rob an old lady for the sake of £50,000 worth of jewellery, without the encumbrance of so undesirable a husband.
— The Old Man in the Corner, Baroness Orczy (1909)

How to describe a man whose whole trade is other people's weakness.

“None too clean, slouchy, obsequious yet insolent, he was the very personification of the cad who haunts the racecourse and who lives not so much by his own wits as by the lack of them in others. He described himself as a turf commission agent, whatever that may be.
— The Old Man in the Corner, Baroness Orczy (1909)

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