The Old Man in the Corner
Baroness Orczy, 1909
Ένας άντρας χωρίς όνομα λύνει φόνους του Λονδίνου καθισμένος σε ένα τεϊοποτείο και παίζοντας με ένα κομμάτι σπάγκο, ενώ μια νεαρή δημοσιογράφος τον ακούει — χωρίς ποτέ να βρίσκει αποδείξεις.
Σελίδες από το «The Old Man in the Corner» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.
Τι σου κοστίζει να είσαι ο πιο παράξενος άνθρωπος στην αίθουσα.
The man in the corner readjusted his collar and necktie, which, during the narrative of this interesting mystery, had worked its way up his long, crane-like neck under his large flappy ears. His costume of checked tweed of a peculiarly loud pattern had tickled the fancy of some of the waitresses, who were standing gazing at him and giggling in one corner. This evidently made him nervous. He gazed up very meekly at Polly, looking for all the world like a bald-headed adjutant dressed for a holiday. Η μικρή τελετουργία πριν αρχίσει να σου εξηγεί τα πάντα.
The man in the corner cocked his funny thin head on one side and looked at Polly; then he took up his beloved bit of string and deliberately untied every knot he had made in it. When it was quite smooth he laid it out upon the table. Το μόνο που δεν μπορεί να αντισταθεί να δεχτεί.
Polly made no comment, but drew from her pocket a beautiful piece of string, and knowing his custom of knotting such an article while unravelling his mysteries, she handed it across the table to him. She positively thought that he blushed. Ένας αφηγητής που ξέρει πόσο απολαμβάνει την ίδια του την αφήγηση.
“I am waxing melodramatic,” said the man in the corner, who looked up at Polly with a mild and gentle smile, while his nervous fingers vainly endeavoured to add another knot on the scrappy bit of string with which he was continually playing, “and I fear that the whole story savours of the penny novelette, but you must admit, and no doubt you remember, that it was an intensely pathetic and truly dramatic moment. Κάποια πρόσωπα μένουν αξέχαστα για όσα τους λείπουν.
That is what struck me most when I elbowed my way into the court that morning and first caught sight of the millionaire in the dock. He was a tall, soldierly-looking man, upright in stature, his face very bronzed and tanned. He wore neither moustache nor beard, his hair was cropped quite close to his head, like a Frenchman’s; but, of course, what was so very remarkable about him was that total absence of eyebrows and even eyelashes, which gave the face such a peculiar appearance—as you say, a perpetually astonished look. Πριν ρωτήσεις ποιος, σκέψου ποιος είχε οικονομικό πρόβλημα.
“You are astonished?” he added with a shrug of the shoulders, “you do not see the tragedy yet, as I have seen it before me all along. The frivolous young wife, the flirtation with the friend?—all a blind, all pretence. I took the trouble which the police should have taken immediately, of finding out something about the finances of the Hazeldene ménage. Money is in nine cases out of ten the keynote to a crime. Η λογική του πλήθους: η επιθυμία μεταμφιεσμένη σε απόδειξη.
“Strange to say,” continued the man in the corner after a while, “public opinion from the first went dead against the accused. The public is absolutely like a child, perfectly irresponsible and wholly illogical; it argued that since Miss Crawford had been ready to contract a marriage with a half-demented, deformed creature for the sake of his £100,000 she must have been equally ready to murder and rob an old lady for the sake of £50,000 worth of jewellery, without the encumbrance of so undesirable a husband. Πώς περιγράφεις κάποιον που ζει από τις αδυναμίες των άλλων.
“None too clean, slouchy, obsequious yet insolent, he was the very personification of the cad who haunts the racecourse and who lives not so much by his own wits as by the lack of them in others. He described himself as a turf commission agent, whatever that may be. Baroness Orczy, 1909
Ένας άντρας χωρίς όνομα λύνει φόνους του Λονδίνου καθισμένος σε ένα τεϊοποτείο και παίζοντας με ένα κομμάτι σπάγκο, ενώ μια νεαρή δημοσιογράφος τον ακούει — χωρίς ποτέ να βρίσκει αποδείξεις.
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