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Passages from The Duel

Pages from The Duel that stand on their own, chosen for how they read today. The text is in the public domain.

What the sea sounds like if you count the seconds between the waves.

When he got out of town, he began to see both the road and his stick. Here and there in the black sky there were dark cloudy patches, and soon a star peeped out and timidly blinked its one eye. The deacon walked along the high rocky coast and did not see the sea; it was slumbering below, and its unseen waves broke languidly and heavily on the shore, as though sighing “Ouf!” and how slowly! One wave broke—the deacon had time to count eight steps; then another broke, and six steps; later a third. As before, nothing could be seen, and in the darkness one could hear the languid, drowsy drone of the sea. One could hear the infinitely faraway, inconceivable time when God moved above chaos.
— The Duel, Anton Chekhov (1891)

What is left of a man once you strip away his excuses.

Laevsky is by no means a complex organism. Here is his moral skeleton: in the morning, slippers, a bathe, and coffee; then till dinnertime, slippers, a constitutional, and conversation; at two o’clock slippers, dinner, and wine; at five o’clock a bathe, tea and wine, then Vint and lying; at ten o’clock supper and wine; and after midnight sleep and la femme. His existence is confined within this narrow programme like an egg within its shell.
— The Duel, Anton Chekhov (1891)

A train, a debt, and a lie he’s saving for later.

Every time he thought of his future he would not let his thoughts have full rein. He would get into the train and set off, and thereby the problem of his life would be solved, and he did not let his thoughts go farther. Like a faraway dim light in the fields, the thought sometimes flickered in his mind that in one of the side-streets of Petersburg, in the remote future, he would have to have recourse to a tiny lie in order to get rid of Nadyezhda Fyodorovna and pay his debts; he would tell a lie only once, and then a completely new life would begin. And that was right: at the price of a small lie he would win so much truth.
— The Duel, Anton Chekhov (1891)

How quickly the person you chose becomes a sound you can't stand.

The next dish given him was spinach with hard-boiled eggs, while Nadyezhda Fyodorovna, as an invalid, had jelly and milk. When with a preoccupied face she touched the jelly with a spoon and then began languidly eating it, sipping milk, and he heard her swallowing, he was possessed by such an overwhelming aversion that it made his head tingle. He recognised that such a feeling would be an insult even to a dog, but he was angry, not with himself but with Nadyezhda Fyodorovna, for arousing such a feeling, and he understood why lovers sometimes murder their mistresses. He would not murder her, of course, but if he had been on a jury now, he would have acquitted the murderer.
— The Duel, Anton Chekhov (1891)

The one instinct that has outlasted every argument against it.

“It’s not for nothing they whistle. The fact that girls strangle their illegitimate children and go to prison for it, and that Anna Karenin flung herself under the train, and that in the villages they smear the gates with tar, and that you and I, without knowing why, are pleased by Katya’s purity, and that every one of us feels a vague craving for pure love, though he knows there is no such love—is all that prejudice? That is the one thing, brother, which has survived intact from natural selection, and, if it were not for that obscure force regulating the relations of the sexes, the Laevskys would have it all their own way, and mankind would degenerate in two years.”
— The Duel, Anton Chekhov (1891)

Two lovers call it escaping society when they are only escaping themselves.

“My God!” sighed Laevsky; “how distorted we all are by civilisation! I fell in love with a married woman and she with me. … To begin with, we had kisses, and calm evenings, and vows, and Spencer, and ideals, and interests in common. … What a deception! We really ran away from her husband, but we lied to ourselves and made out that we ran away from the emptiness of the life of the educated class.
— The Duel, Anton Chekhov (1891)

What it actually looks like to believe that prayer might bring rain.

“You say you have faith,” said the deacon. “What sort of faith is it? Why, I have an uncle, a priest, and he believes so that when in time of drought he goes out into the fields to pray for rain, he takes his umbrella and leather overcoat for fear of getting wet through on his way home. That’s faith! When he speaks of Christ, his face is full of radiance, and all the peasants, men and women, weep floods of tears. He would stop that cloud and put all those forces you talk about to flight. Yes … faith moves mountains.”
— The Duel, Anton Chekhov (1891)

The question that arrives in an idle hour and refuses to leave.

Nadyezhda Fyodorovna reflected that she really had not lived. She had finished her studies in a boarding-school and had been married to a man she did not love; then she had thrown in her lot with Laevsky, and had spent all her time with him on this empty, desolate coast, always expecting something better. Was that life?
— The Duel, Anton Chekhov (1891)

The theory that a man's failures might be his landscape's fault.

The deserted seashore, the insatiable heat, and the monotony of the smoky lilac mountains, ever the same and silent, everlastingly solitary, overwhelmed him with depression, and, as it were, made him drowsy and sapped his energy. He was perhaps very clever, talented, remarkably honest; perhaps if the sea and the mountains had not closed him in on all sides, he might have become an excellent Zemstvo leader, a statesman, an orator, a political writer, a saint. Who knows? If so, was it not stupid to argue whether it were honest or dishonest when a gifted and useful man—an artist or musician, for instance—to escape from prison, breaks a wall and deceives his jailers? Anything is honest when a man is in such a position.
— The Duel, Anton Chekhov (1891)

The Duel

Anton Chekhov, 1891

A clever, idle Russian runs off with another man's wife, brings her to a hot coast town, and slowly discovers that the problem has travelled with him.

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