Βιβλία σαν το «Travels with Charley»

His talent was as natural as the pattern that was made by the dust on a butterfly’s wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

Many of them had been born just twenty years earlier than I, in a time of national promise, optimism, and prosperity, when all things seemed possible as the United States was swiftly taking its place as the most powerful nation in the world. World War I was over, America’s industrial might was coming of age with the rise of the auto industry and the nascent communications industry, Wall Street was booming, and the popular culture was rich with the likes of Babe Ruth, Eugene O’Neill, D. W. Griffith, and a new author on the scene, F. Scott Fitzgerald. What those unsuspecting infants could not have realized, of course, was that these were temporary conditions, a false spring to a life that would be buffeted by winds of change dangerous and unpredictable, so fierce that they threatened not just America but the very future of the planet.

Maybe we should develop a Crayola bomb as our next secret weapon. A happiness weapon. A Beauty Bomb. And every time a crisis developed, we would launch one. It would explode high in the air — explode softly — and send thousands, millions, of little parachutes into the air. Floating down to earth — boxes of Crayolas. And we wouldn’t go cheap either — not little boxes of eight. Boxes of sixty-four, with the sharpener built right in. With silver and gold and copper, magenta and peach and lime, amber and umber and all the rest. And people would smile and get a little funny look on their faces and cover the world with imagination instead of death. A child who touched one wouldn’t have his hand blown off.

During thirtyfive years as a foreign correspondent, I must have covered just about everything, from the public life of six Presidents to the private life of a burlesque stripper; from the black market in beef to the Black Panthers; from Estes Kefauver amid the snows of New Hampshire to Jack Nicklaus amid the azaleas of Augusta, Georgia; from Henry Kaiser’s Liberty ships to Francis Chichester’s Gypsy Moth sailing into Staten Island at one in the morning; from the Marshall Plan to Planned Parenthood; from Senator Joseph McCarthy’s last stand to the massacre of Muhammad Ali by Joe Frazier.

Nothing that passed during that charming epocha, nothing that I did, said, or thought, has escaped my memory. The time that preceded or followed it, I only recollect by intervals, unequally and confused; but here I remember all as distinctly as if it existed at this moment. Imagination, which in my youth was perpetually anticipating the future, but now takes a retrograde course, makes some amends by these charming recollections for the deprivation of hope, which I have lost forever. I no longer see anything in the future that can tempt my wishes, it is a recollection of the past alone that can flatter me, and the remembrance of the period I am now describing is so true and lively, that it sometimes makes me happy, even in spite of my misfortunes.

Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.