Βιβλία σαν το «Λογική και ευαισθησία»

Joe made the fire and swept the hearth, and then we went to the door to listen for the chaise-cart. It was a dry cold night, and the wind blew keenly, and the frost was white and hard. A man would die tonight of lying out on the marshes, I thought. And then I looked at the stars, and considered how awful it would be for a man to turn his face up to them as he froze to death, and see no help or pity in all the glittering multitude.

I love you, Isabella Valencia.” Simple and raw, stripped of all pretense except for the naked truth that had been staring me in the face all this time. “Every single part of you, from your laugh to your humor to the way you can’t stop talking about condoms.” One of those laughs I loved so much slipped out, thick with emotion. A smile flashed across my face before I sobered again. “You think you’re broken, but I wish you could see yourself the way I see you. Smart. Strong. Beautiful. Imperfect by your own standards but so wonderfully perfect for me.

The story tipped onto its side. Found a fresh point of view. And in this new telling of it, I was no longer the leading lady, but instead the teensy complication that would forever be used to jazz up their story.

Jo could not speak; and for several minutes there was no sound but the sigh of the wind and the lapping of the tide. A white-winged gull flew by, with the flash of sunshine on its silvery breast; Beth watched it till it vanished, and her eyes were full of sadness. A little gray-coated sand-bird came tripping over the beach, “peeping” softly to itself, as if enjoying the sun and sea; it came quite close to Beth, looked at her with a friendly eye, and sat upon a warm stone, dressing its wet feathers, quite at home. Beth smiled, and felt comforted, for the tiny thing seemed to offer its small friendship, and remind her that a pleasant world was still to be enjoyed.

“Nelly, help me to convince her of her madness. Tell her what Heathcliff is: an unreclaimed creature, without refinement, without cultivation; an arid wilderness of furze and whinstone. I’d as soon put that little canary into the park on a winter’s day, as recommend you to bestow your heart on him! It is deplorable ignorance of his character, child, and nothing else, which makes that dream enter your head. Pray, don’t imagine that he conceals depths of benevolence and affection beneath a stern exterior! He’s not a rough diamond—a pearl-containing oyster of a rustic: he’s a fierce, pitiless, wolfish man. I never say to him, ‘Let this or that enemy alone, because it would be ungenerous or cruel to harm them;’ I say, ‘Let them alone, because I should hate them to be wronged:’ and he’d crush you like a sparrow’s egg, Isabella, if he found you a troublesome charge.

“You’re a robot,” he says. Tiny thinks that I am incapable of what humans call emotion because I have not cried since my seventh birthday, when I saw the movie All Dogs Go to Heaven. I suppose I should have known from the title that it wouldn’t end merrily, but in my defense, I was seven. Anyway, I haven’t cried since then. I don’t really understand the point of crying. Also, I feel that crying is almost—like, aside from deaths of relatives or whatever—totally avoidable if you follow two very simple rules: 1. Don’t care too much. 2. Shut up. Everything unfortunate that has ever happened to me has stemmed from failure to follow one of the rules.