Books like Disclosure

All you’ve got to know is this: right now the government of the United States is sitting on top of the Washington Monument, right on the very point, tilting right and left and ready to fall off and break up on the pavement. There are just a handful of men that can prevent it. And you’re one of them.

My hand hurts within minutes. It’s pathetic, I guess, but I can’t remember the last time I wrote anything longhand. Plus I’m using my right hand, which never feels natural no matter how many years I’ve done it. My father insisted I learn to write right-handed in second grade after he first saw me pitch. Your left arm’s gold, he told me. Don’t waste it on crap that don’t matter. Which is anything but pitching as far as he’s concerned.

We go downstairs and in the hall, he takes my coat from the cupboard and holds it open while I slip my arms into it. In the drive outside, he holds the car door for me and waits until I’m in. As he closes it behind me, I can’t help thinking it’s a shame he’s such a sadistic bastard, because he has wonderful manners.

Cracks of thunder follow; the skies grow dark and the rains come. A deluge, pounding the angry waters taken by surprise, distorting vision, crashing down on the giant spray, Geneva’s trademark on the lake, the jet d’eau, that geyser designed by man to dazzle man. When sudden revelations come, the gigantic fountain dies. All the fountains die and without the sunlight the flowers wither. The bright reflections are gone and the mind is frozen.

“Put that gun down,” Rafter ordered from the doorway, and a split second later another shot rang through the reception area, a shot that went into the ceiling somewhere well above Rafter’s head and reduced him to a mere mortal. Turning the gun back to me, he nodded, and I complied, entering the conference room behind Rafter. The last thing I saw on the outside was Madam Devier shaking at her desk, terror-stricken, headset around her neck, high heels parked neatly next to her wastebasket.

They entered an elevator of glass, tinted faintly orange. Lights flickered on and Mae saw her name appear on the walls, along with her high school yearbook photo. Welcome Mae Holland. A sound, something like a gasp, left Mae’s throat. She hadn’t seen that photo in years, and had been happy for its absence. This must have been Annie’s doing, assaulting her with it again. The picture was indeed Mae—her wide mouth, her thin lips, her olive skin, her black hair, but in this photo, more so than in life, her high cheekbones gave her a look of severity, her brown eyes not smiling, only small and cold, ready for war. Since the photo—she was eighteen then, angry and unsure—Mae had gained much-needed weight, her face had softened and curves appeared, curves that brought the attention of men of myriad ages and motives.