1st to Die
James Patterson, 2001
A San Francisco homicide inspector and her three friends—a medical examiner, a reporter, an assistant DA—track a killer whose victims are newlyweds.
James Patterson's thrillers move in short, clipped chapters, often with a killer's voice cutting in between the investigators' work, so the pages turn quickly and the tension stays close. Start with 1st to Die, which follows a San Francisco homicide inspector and three friends from different corners of the justice system as they track a killer targeting newlyweds, or with Kiss the Girls, an Alex Cross case that keeps shifting shape as it goes. These are books for readers who like a case that pulls in several people at once and a story told in quick, clean strokes.
Feels like dread, unease and power.
Start with 1st to Die.
Before novels, Patterson ran the advertising agency J. Walter Thompson; he has said he learned to make every chapter short enough to finish in a waiting room.
The friends who would hold you, and the voice that stops you calling.
As I stare into the Border collie’s eyes, I think that maybe I should go inside and call the girls. Claire, Cindy, and Jill would be here almost before I hung up the phone. They would hold me, hug me, say all the right things. You’re special, Lindsay. Everybody loves you, Lindsay. James Patterson, 2001
A San Francisco homicide inspector and her three friends—a medical examiner, a reporter, an assistant DA—track a killer whose victims are newlyweds.
James Patterson, 1979
James Patterson’s second Alex Cross thriller: short chapters, a killer’s taunting voice, and a case that keeps changing shape.
Read pages from books like this, one at a time
BookFeed is a feed of real passages from real books. It learns what moves you and finds your next book.
Open BookFeedFree, no sign-up.