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Passages from The Tenant of Wildfell Hall

Pages from The Tenant of Wildfell Hall that stand on their own, chosen for how they read today. The text is in the public domain.

The horizon finally breaks, unveiling a vast and unblemished landscape of freedom.

At length our walk was ended. The increasing height and boldness of the hills had for some time intercepted the prospect; but, on gaining the summit of a steep acclivity, and looking downward, an opening lay before us—and the blue sea burst upon our sight!—deep violet blue—not deadly calm, but covered with glinting breakers—diminutive white specks twinkling on its bosom, and scarcely to be distinguished, by the keenest vision, from the little seamews that sported above, their white wings glittering in the sunshine: only one or two vessels were visible, and those were far away.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

The profound realization of change is framed by a metaphor of natural, inevitable decay and rebirth.

“I own I cannot; but we know not that it will be so;—and I do know that to regret the exchange of earthly pleasures for the joys of heaven, is as if the grovelling caterpillar should lament that it must one day quit the nibbled leaf to soar aloft and flutter through the air, roving at will from flower to flower, sipping sweet honey from their cups, or basking in their sunny petals. If these little creatures knew how great a change awaited them, no doubt they would regret it; but would not all such sorrow be misplaced?
— The Tenant of Wildfell Hall, Anne Brontë (1847)

A simple reaction holds the power to generate profound and cutting disdain.

I smiled.—There was something either in that smile or the recollections it awakened that was particularly displeasing to her, for she suddenly assumed again that proud, chilly look that had so unspeakably roused my aversion at church—a look of repellent scorn, so easily assumed, and so entirely without the least distortion of a single feature, that, while there, it seemed like the natural expression of the face, and was the more provoking to me, because I could not think it affected.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

All the tools of creation are violently destroyed, leaving only an empty house of destruction.

And putting the keys into his pocket, he walked into the library. I followed, whether with the dim idea of preventing mischief, or only to know the worst, I can hardly tell. My painting materials were laid together on the corner table, ready for to-morrow’s use, and only covered with a cloth. He soon spied them out, and putting down the candle, deliberately proceeded to cast them into the fire: palette, paints, bladders, pencils, brushes, varnish: I saw them all consumed: the palette-knives snapped in two, the oil and turpentine sent hissing and roaring up the chimney.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

A prisoner on the move finds pure, vibrant ecstasy in the simple act of escaping.

Oh, what delight it was to be thus seated aloft, rumbling along the broad, sunshiny road, with the fresh morning breeze in my face, surrounded by an unknown country, all smiling—cheerfully, gloriously smiling in the yellow lustre of those early beams; with my darling child in my arms, almost as happy as myself, and my faithful friend beside me: a prison and despair behind me, receding further, further back at every clatter of the horses’ feet; and liberty and hope before!
— The Tenant of Wildfell Hall, Anne Brontë (1847)

A delicately held gift, rejected on the spot, reveals the true barriers of emotional distance.

I held out my hand: I dared not speak lest my emotion should overmaster me. She laid the rose across my palm, but I scarcely closed my fingers upon it, so deeply was I absorbed in thinking what might be the meaning of her words, and what I ought to do or say upon the occasion; whether to give way to my feelings or restrain them still. Misconstruing this hesitation into indifference—or reluctance even—to accept her gift, Helen suddenly snatched it from my hand, threw it out on to the snow, shut down the window with an emphasis, and withdrew to the fire.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

The act of emotional restraint eventually exhausts the spirit, leading to inevitable, sudden eruption.

Thenceforth I restrained my tears and passions as much as I could. I spared him my exhortations and fruitless efforts at conversion too, for I saw it was all in vain: God might awaken that heart, supine and stupefied with self-indulgence, and remove the film of sensual darkness from his eyes, but I could not. His injustice and ill-humour towards his inferiors, who could not defend themselves, I still resented and withstood; but when I alone was their object, as was frequently the case, I endured it with calm forbearance, except at times, when my temper, worn out by repeated annoyances, or stung to distraction by some new instance of irrationality, gave way in spite of myself, and exposed me to the imputations of fierceness, cruelty, and impatience.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

The meticulous pretense of calm conceals a long-suffering wait for a future of profound isolation.

Evening.—Breakfast passed well over: I was calm and cool throughout. I answered composedly all inquiries respecting my health; and whatever was unusual in my look or manner was generally attributed to the trifling indisposition that had occasioned my early retirement last night. But how am I to get over the ten or twelve days that must yet elapse before they go? Yet why so long for their departure? When they are gone, how shall I get through the months or years of my future life in company with that man—my greatest enemy? for none could injure me as he has done.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

A momentary pause reveals the hidden, vulnerable life just beyond the walls.

While I thus stood, leaning on my gun, and looking up at the dark gables, sunk in an idle reverie, weaving a tissue of wayward fancies, in which old associations and the fair young hermit, now within those walls, bore a nearly equal part, I heard a slight rustling and scrambling just within the garden; and, glancing in the direction whence the sound proceeded, I beheld a tiny hand elevated above the wall: it clung to the topmost stone, and then another little hand was raised to take a firmer hold, and then appeared a small white forehead, surmounted with wreaths of light brown hair, with a pair of deep blue eyes beneath, and the upper portion of a diminutive ivory nose.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

A solitary journal becomes a necessary confidante, a safe place for unspoken grief.

19th.—They are come. They came the day before yesterday. The gentlemen are all gone out to shoot, and the ladies are with my aunt, at work in the drawing-room. I have retired to the library, for I am very unhappy, and I want to be alone. Books cannot divert me; so having opened my desk, I will try what may be done by detailing the cause of my uneasiness. This paper will serve instead of a confidential friend into whose ear I might pour forth the overflowings of my heart. It will not sympathise with my distresses, but then it will not laugh at them, and, if I keep it close, it cannot tell again; so it is, perhaps, the best friend I could have for the purpose.
— The Tenant of Wildfell Hall, Anne Brontë (1847)

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