Notes from the Underground
Fyodor Dostoyevsky, 1864
A Petersburg clerk explains, at length and against his own interests, why he could never be a decent man: the original portrait of the over-thinking self.
Pages from Notes from the Underground that stand on their own, chosen for how they read today. The text is in the public domain.
Consciousness as a diagnosis: too much of it and you can't live.
I want now to tell you, gentlemen, whether you care to hear it or not, why I could not even become an insect. I tell you solemnly, that I have many times tried to become an insect. But I was not equal even to that. I swear, gentlemen, that to be too conscious is an illness—a real thorough-going illness. For man’s everyday needs, it would have been quite enough to have the ordinary human consciousness, that is, half or a quarter of the amount which falls to the lot of a cultivated man of our unhappy nineteenth century, especially one who has the fatal ill-luck to inhabit Petersburg, the most theoretical and intentional town on the whole terrestrial globe. (There are intentional and unintentional towns.) It would have been quite enough, for instance, to have the consciousness by which all so-called direct persons and men of action live. The satisfaction of refusing to agree with a stone wall.
Merciful Heavens! but what do I care for the laws of nature and arithmetic, when, for some reason I dislike those laws and the fact that twice two makes four? Of course I cannot break through the wall by battering my head against it if I really have not the strength to knock it down, but I am not going to be reconciled to it simply because it is a stone wall and I have not the strength. He moans all night, knowing it helps no one, and finds pleasure in it.
His moans become nasty, disgustingly malignant, and go on for whole days and nights. And of course he knows himself that he is doing himself no sort of good with his moans; he knows better than anyone that he is only lacerating and harassing himself and others for nothing; he knows that even the audience before whom he is making his efforts, and his whole family, listen to him with loathing, do not put a ha’porth of faith in him, and inwardly understand that he might moan differently, more simply, without trills and flourishes, and that he is only amusing himself like that from ill-humour, from malignancy. Well, in all these recognitions and disgraces it is that there lies a voluptuous pleasure. As though he would say: “I am worrying you, I am lacerating your hearts, I am keeping everyone in the house awake. Blows he could forgive; being moved aside without being noticed, never.
I was standing by the billiard-table and in my ignorance blocking up the way, and he wanted to pass; he took me by the shoulders and without a word—without a warning or explanation—moved me from where I was standing to another spot and passed by as though he had not noticed me. I could have forgiven blows, but I could not forgive his having moved me without noticing me. Three hours of pacing, three soakings of sweat, to be noticed by people ignoring him.
I tried my very utmost to show them that I could do without them, and yet I purposely made a noise with my boots, thumping with my heels. But it was all in vain. They paid no attention. I had the patience to walk up and down in front of them from eight o’clock till eleven, in the same place, from the table to the stove and back again. “I walk up and down to please myself and no one can prevent me.” The waiter who came into the room stopped, from time to time, to look at me. I was somewhat giddy from turning round so often; at moments it seemed to me that I was in delirium. During those three hours I was three times soaked with sweat and dry again. What resolve feels like when it arrives: heavy, wet, already too late.
The wet snow was falling in big flakes; I unbuttoned myself, regardless of it. I forgot everything else, for I had finally decided on the slap, and felt with horror that it was going to happen now, at once, and that no force could stop it. The deserted street lamps gleamed sullenly in the snowy darkness like torches at a funeral. The snow drifted under my great-coat, under my coat, under my cravat, and melted there. I did not wrap myself up—all was lost, anyway. There is a relief in being called a sluggard and having it settled.
Oh, if I had done nothing simply from laziness! Heavens, how I should have respected myself, then. I should have respected myself because I should at least have been capable of being lazy; there would at least have been one quality, as it were, positive in me, in which I could have believed myself. Question: What is he? Answer: A sluggard; how very pleasant it would have been to hear that of oneself! It would mean that I was positively defined, it would mean that there was something to say about me. “Sluggard”—why, it is a calling and vocation, it is a career. Do not jest, it is so. I should then be a member of the best club by right, and should find my occupation in continually respecting myself. I knew a gentleman who prided himself all his life on being a connoisseur of Lafitte. A perfect building you can't stick your tongue out at.
You believe in a palace of crystal that can never be destroyed—a palace at which one will not be able to put out one’s tongue or make a long nose on the sly. And perhaps that is just why I am afraid of this edifice, that it is of crystal and can never be destroyed and that one cannot put one’s tongue out at it even on the sly. Snow falling so thick it covers the street like a pillow.
It was a still night and the snow was coming down in masses and falling almost perpendicularly, covering the pavement and the empty street as though with a pillow. There was no one in the street, no sound was to be heard. The street lamps gave a disconsolate and useless glimmer. Fyodor Dostoyevsky, 1864
A Petersburg clerk explains, at length and against his own interests, why he could never be a decent man: the original portrait of the over-thinking self.
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