Moving the Mountain
Charlotte Perkins Gilman, 1911
A man returns after thirty years to an America that has quietly abolished poverty and remade the family, and must learn to see his own world as strange.
Pages from Moving the Mountain that stand on their own, chosen for how they read today. The text is in the public domain.
The hand that keeps you tethered to a world that no longer exists.
We were in our steamer chairs, most people dozing after their midday meal. She reached over and took my hand in hers, and held it tight. It was marvelously comforting, this one live visible link between what was forever past and this uncertain future. But for her, even those old, old days might have flickered and seemed doubtful—I should have felt like one swimming under water and not knowing, which way was up. She gave me solid ground underfoot at any rate. Whatever her place might be in this new world, she had talked to me only of the old one. The most radical change was not in the streets but in the mind.
“The thing that has happened,” said she, slowly, “is just this. The world has come alive. We are doing in a pleasant, practical way, all the things which we could have done, at any time before—only we never thought so. The real change is this: we have changed our minds. This happened very soon after you left. Ah! that was a time! To think that you should have missed it!” She gave my hand another sympathetic squeeze and went on. “After that it was only a question of time, of how soon we could do things. And we’ve been doing them ever since, faster and faster.” Why we shrug at a thousand tons of soot but rage at a single bag.
“Yes; don’t you notice that ever since you began to study our advance, what puzzles you most is not the visible details about you, but a changed spirit in people? Thirty years ago, if you showed a man that someone had dumped a ton of soot in his front yard he would have been furious, and had the man arrested and punished. If you showed him that numbers of men were dumping thousands of tons of soot all over his city every year, he would have neither felt nor acted. It’s the other way, now.” What the eye stops seeing when poverty has always been there.
I had never dreamed of the relief to the spectator in not seeing any poverty. We were used to it, of course; we had our excuses, religious and economic, we even found, or thought we found, artistic pleasure in this social disease. But now I realized what a nightmare it had been—the sights, the sounds, the smells of poverty—merely to an outside observer. The difference between learning and being force-fed.
No wonder children wore so different an aspect. They had the fresh, insatiable thirst for knowledge which has been wisely slaked, but never given the water-torture. As I recalled my own youth, and thought of all those young minds set in rows, fixed open as with a stick between the teeth, and forced to drink, drink, drink till all desire was turned to loathing, I felt a sudden wish to be born again—now!—and begin over. What art looks like when it stops being a mountain peak.
I could and I did; though I would not always admit it to Nellie; and this beautiful commonness of good music, good architecture, good sculpture, good painting, good drama, good dancing, good literature, impressed me increasingly. Instead of those perpendicular peaks of isolated genius we used to have, surrounded by the ignorantly indifferent many, and the excessively admiring few, those geniuses now sloped gently down to the average on long graduated lines of decreasing ability. It gave to the commonest people a possible road of upward development, and to the most developed a path of connection with the commonest people. The geniuses seemed to like it too. They were not so conceited, not so disagreeable, not so lonesome. The one small pleasure that kept a woman's life from going grey.
Then it was only the housework, and caring for her mother as she grew older. The one pleasure of her own she ever had was in her flowers. She had transplanted wild ones, had now and then been given “a slip” by remote neighbors—in past years; and those carefully nurtured blossoms were all that brought color and sweetness into her gray life. The person you left behind has been living without you.
The worst of it is that my little sister is now forty-eight, and I—to all intents and purposes—am twenty-five! She is twenty-three years older than I am. She has had thirty years of world-life which I have missed entirely, and this thirty years, I begin to gather, has covered more changes than an ordinary century or two. The hush of a garden that has been waiting for you to come down.
While below they took me into the patio, that quiet inner garden which was so attractive from above. It was a lovely place. The moon was riding high and shone down into it; a slender fountain spray rose shimmering from its carved basin; on the southern-facing wall a great wisteria vine drooped in budding purple, and beds of violets made the air rich with soft fragrance. Charlotte Perkins Gilman, 1911
A man returns after thirty years to an America that has quietly abolished poverty and remade the family, and must learn to see his own world as strange.
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