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Passages from Les Misérables

Pages from Les Misérables that stand on their own, chosen for how they read today. The text is in the public domain.

The bravest lives are often the ones nobody applauds.

For many great deeds are performed in petty combats. There are instances of bravery ignored and obstinate, which defend themselves step by step in that fatal onslaught of necessities and turpitudes. Noble and mysterious triumphs which no eye beholds, which are requited with no renown, which are saluted with no trumpet blast. Life, misfortune, isolation, abandonment, poverty, are the fields of battle which have their heroes; obscure heroes, who are, sometimes, grander than the heroes who win renown.
— Les Misérables, Victor Hugo (1862)

What if the people we love are only the beginning of them?

Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again.
— Les Misérables, Victor Hugo (1862)

The calm arrangements of a goodbye, and the despair underneath.

The bargain was concluded. The mother passed the night at the inn, gave up her money and left her child, fastened her carpetbag once more, now reduced in volume by the removal of the outfit, and light henceforth and set out on the following morning, intending to return soon. People arrange such departures tranquilly; but they are despairs!
— Les Misérables, Victor Hugo (1862)

Poverty can erase a face before it has finished forming.

The most heartbreaking thing of all was, that this young girl had not come into the world to be homely. In her early childhood she must even have been pretty. The grace of her age was still struggling against the hideous, premature decrepitude of debauchery and poverty. The remains of beauty were dying away in that face of sixteen, like the pale sunlight which is extinguished under hideous clouds at dawn on a winter’s day.
— Les Misérables, Victor Hugo (1862)

The sky stays indifferent while the earth is red.

The darkness was serene. Not a cloud in the zenith. What matters it if the earth be red! the moon remains white; these are the indifferences of the sky. In the fields, branches of trees broken by grapeshot, but not fallen, upheld by their bark, swayed gently in the breeze of night. A breath, almost a respiration, moved the shrubbery. Quivers which resembled the departure of souls ran through the grass.
— Les Misérables, Victor Hugo (1862)

How a city street turns into a riot in an afternoon.

Nothing is more extraordinary than the first breaking out of a riot. Everything bursts forth everywhere at once. Was it foreseen? Yes. Was it prepared? No. Whence comes it? From the pavements. Whence falls it? From the clouds. Here insurrection assumes the character of a plot; there of an improvisation. The first comer seizes a current of the throng and leads it whither he wills. A beginning full of terror, in which is mingled a sort of formidable gayety. First come clamors, the shops are closed, the displays of the merchants disappear; then come isolated shots; people flee; blows from gunstocks beat against portes-cochères, servants can be heard laughing in the courtyards of houses and saying: “There’s going to be a row!”
— Les Misérables, Victor Hugo (1862)

A barricade built so precisely it feels like a ghost.

As soon as one arrived on the spot, and caught sight of it, it was impossible, even for the boldest, not to become thoughtful before this mysterious apparition. It was adjusted, jointed, imbricated, rectilinear, symmetrical and funereal. Science and gloom met there. One felt that the chief of this barricade was a geometrician or a spectre. One looked at it and spoke low.
— Les Misérables, Victor Hugo (1862)

Two children shine in the wreckage of a machine.

The two children, who were dressed prettily and with some elegance, were radiant with pleasure; one would have said that they were two roses amid old iron; their eyes were a triumph; their fresh cheeks were full of laughter. One had chestnut hair; the other, brown. Their innocent faces were two delighted surprises; a blossoming shrub which grew near wafted to the passersby perfumes which seemed to emanate from them; the child of eighteen months displayed her pretty little bare stomach with the chaste indecency of childhood. Above and around these two delicate heads, all made of happiness and steeped in light, the gigantic fore-carriage, black with rust, almost terrible, all entangled in curves and wild angles, rose in a vault, like the entrance of a cavern.
— Les Misérables, Victor Hugo (1862)

The first sign of love is a tenderness that almost hurts.

In this full felicity, tears welled up to their eyes every instant. A crushed ladybug, a feather fallen from a nest, a branch of hawthorn broken, aroused their pity, and their ecstasy, sweetly mingled with melancholy, seemed to ask nothing better than to weep. The most sovereign symptom of love is a tenderness that is, at times, almost unbearable.
— Les Misérables, Victor Hugo (1862)

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