Gitanjali
Rabindranath Tagore, 1910
Short devotional songs that read like love letters to something unnamed. A way to spend an hour with longing, humility and joy, in English prose the poet shaped himself.
Pages from Gitanjali that stand on their own, chosen for how they read today. The text is in the public domain.
A wish for a last song that holds every kind of joy.
Let all the strains of joy mingle in my last song—the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word. A request for light, and a flame carried the other way.
On the slope of the desolate river among tall grasses I asked her, “Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome—lend me your light!” she raised her dark eyes for a moment and looked at my face through the dusk. “I have come to the river,” she said, “to float my lamp on the stream when the daylight wanes in the west.” I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide. The morning you realise the world was never foreign to you.
When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in its arms in the form of my own mother. Someone tired asks for water, and you almost miss who it is.
I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low—“Ah, I am a thirsty traveller.” I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road. Where a sleeping baby's smile comes from, according to rumour.
The smile that flickers on baby’s lips when he sleeps—does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning—the smile that flickers on baby’s lips when he sleeps. The name you answer to may be the cell you live in.
He whom I enclose with my name is weeping in this dungeon. I am ever busy building this wall all around; and as this wall goes up into the sky day by day I lose sight of my true being in its dark shadow. When the old words run out, something else begins to sing.
But I find that thy will knows no end in me. And when old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders. How the sea can sing a lullaby and still be dangerous.
The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby’s cradle. The sea plays with children, and pale gleams the smile of the sea beach. A prayer to be kept from the comfort of having enough.
As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing—let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours. Rabindranath Tagore, 1910
Short devotional songs that read like love letters to something unnamed. A way to spend an hour with longing, humility and joy, in English prose the poet shaped himself.
Read pages from books like this, one at a time
BookFeed is a feed of real passages from real books. It learns what moves you and finds your next book.
Open BookFeedFree, no sign-up.