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Αποσπάσματα από το «The Portent»

Σελίδες από το «The Portent» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Τι σημαίνει να καλείς κάποιον κοντά σου μέσα στη νύχτα;

I heard no sound of approach: the closet-door folded back, and in glided, open-eyed, but sightless pale as death, and clad in white, ghostly-pure and saintlike, the Lady Alice. I shuddered from head to foot at what I had done. She was more terrible to me in that moment than any pale-eyed ghost could have been. For had I not exercised a kind of necromantic art, and roused without awaking the slumbering dead? She passed me, walking round the table at which I was seated, went to the couch, laid herself down with a maidenly care, turned a little on one side, with her face towards me, and gradually closed her eyes. In something deeper than sleep she lay, and yet not in death. I rose, and once more knelt beside her, but dared not touch her. In what far realms of life might the lovely soul be straying!
— The Portent, George MacDonald (1864)

Μια αγάπη που συνεχίζει να δίνει χωρίς να περιμένει ανταπόδοση.

“Tire me, my child!” she said, with sudden energy. “Did I not carry you in my bosom, till I loved you more than the darling I had lost? Do I not think about you and your fortunes, till, sitting there, you are no nearer to me than when a thousand miles away? You do not know my love to you, Duncan. I have lived upon it when, I daresay, you did not care whether I was alive or dead. But that was all one to my love. When you leave me now, I shall not care much. My thoughts will only return to their old ways. I think the sight of the eyes is sometimes an intrusion between the heart and its love.”
— The Portent, George MacDonald (1864)

Το φεγγαρόφωτο γεμίζει το δωμάτιο χρώματα σαν καιρό.

The corridor was night itself, with a dim, bluish-grey light from the windows, sufficing to mark their own spaces. I stole through it, and, without erring once, went straight to the haunted chamber. The door stood half open. I entered, and was bewildered by the dim, mysterious, dreamy loveliness upon which I gazed. The moon shone full upon the windows, and a thousand coloured lights and shadows crossed and intertwined upon the walls and floor, all so soft, and mingling, and undefined, that the brain was filled as with a flickering dance of ghostly rainbows. But I had little time to think of these; for out of the only dark corner in the room came a white figure, flitting across the chaos of lights, bedewed, besprinkled, bespattered, as she passed, with their multitudinous colours. I was speechless, motionless, with something far beyond joy.
— The Portent, George MacDonald (1864)

Ένας λόρδος φορά τον τίτλο του σαν ξένο, φαρδύ παλτό.

His nobility was of that sort which stands in constant need of repair. Like a weakly constitution, it required keeping up, and his lordship could not be said to neglect it; for he seemed to find his principal employment in administering continuous doses of obsequiousness to his own pride. His rank, like a coat made for some large ancestor, hung loose upon him: he was always trying to persuade himself that it was an excellent fit, but ever with an unacknowledged misgiving. This misgiving might have done him good, had he not met it with renewed efforts at looking that which he feared he was not.
— The Portent, George MacDonald (1864)

Πώς ένα παιδί προκαλεί τον φόβο με τους δικούς του όρους.

Their garments were white and trailing, but torn and soiled, as by trying often in vain to get up out of the buried coffin. But so far from being terrified by these imaginings, I used to delight in them; and in the long winter evenings, when I did not happen to have any book that interested me sufficiently, I used even to look forward with expectation to the hour when, laying myself straight upon my back, as if my bed were my coffin, I could call up from underground all who had passed away, and see how they fared, yea, what progress they had made towards final dissolution of form—but all the time, with my fingers pushed hard into my ears, lest the faintest sound should invade the silent citadel of my soul. If inadvertently I removed one of my fingers, the agony of terror I instantly experienced is indescribable.
— The Portent, George MacDonald (1864)

Η πιο μοναχική στο δωμάτιο δεν ξέρει πως είναι μόνη.

There was something to me exceedingly touching in the solitariness of this girl; for no one spoke to her as if she were like other people, or as if any heartiness were possible between them. Perhaps no one could have felt quite at home with her but a mother, whose heart had been one with hers from a season long anterior to the development of any repulsive oddity. But her position was one of peculiar isolation, for no one really approached her individual being; and that she should be unaware of this loneliness, seemed to me saddest of all. I soon found, however, that the most distant attempt on my part to show her attention, was either received with absolute indifference, or coldly repelled without the slightest acknowledgment.
— The Portent, George MacDonald (1864)

Μετά την αρρώστια, ο κόσμος ξαναγεννιέται ώσπου κάτι μικρό να αλλάξει τα πάντα.

One day, the first on which I ventured to walk into the fields alone, I was delighted with the multitude of the daisies peeping from the grass everywhere—the first attempts of the earth, become conscious of blindness, to open eyes, and see what was about and above her. Everything is wonderful after the resurrection from illness. It is a resurrection of all nature. But somehow or other I was not satisfied with the daisies. They did not seem to me so lovely as the daisies I used to see when I was a child. I thought with myself, “This is the cloud that gathers with life, the dimness that passion and suffering cast over the eyes of the mind.” That moment my gaze fell upon a single, solitary, red-tipped daisy. My reasoning vanished, and my melancholy with it, slain by the red tips of the lonely beauty.
— The Portent, George MacDonald (1864)

Μια ομορφιά που μοιάζει να κοιτάζει από αλλού.

She was about twenty years of age; rather above the middle height, and rather slight in form; her complexion white rather than pale, her face being only less white than the deep marbly whiteness of her arms. Her eyes were large, and full of liquid night—a night throbbing with the light of invisible stars. Her hair seemed raven-black, and in quantity profuse. The expression of her face, however, generally partook more of vagueness than any other characteristic. Lady Hilton called her Lady Alice; and she never addressed Lady Hilton but in the same ceremonious style.
— The Portent, George MacDonald (1864)

The Portent

George MacDonald, 1864

Ένας δάσκαλος στα Χάιλαντς παρασύρεται στον υπνοβατικό κόσμο μιας μυστηριώδους γυναίκας και σε έναν θρύλο για ένα άλογο με πέταλο που κουδουνίζει.

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