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Αποσπάσματα από το «Το Κάστρο του Οτράντο»

Σελίδες από το «Το Κάστρο του Οτράντο» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Δες τον να πείθει τον εαυτό του να μην μετανιώσει.

Manfred, though persuaded, like his wife, that the vision had been no work of fancy, recovered a little from the tempest of mind into which so many strange events had thrown him. Ashamed, too, of his inhuman treatment of a Princess who returned every injury with new marks of tenderness and duty, he felt returning love forcing itself into his eyes; but not less ashamed of feeling remorse towards one against whom he was inwardly meditating a yet more bitter outrage, he curbed the yearnings of his heart, and did not dare to lean even towards pity. The next transition of his soul was to exquisite villainy.
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Με τι κουράγιο μπαίνεις στο σκοτάδι όταν φοβάσαι;

Isabella, whom every incident was sufficient to dismay, hesitated whether she should proceed. Her dread of Manfred soon outweighed every other terror. The very circumstance of the person avoiding her gave her a sort of courage. It could only be, she thought, some domestic belonging to the castle. Her gentleness had never raised her an enemy, and conscious innocence made her hope that, unless sent by the Prince’s order to seek her, his servants would rather assist than prevent her flight. Fortifying herself with these reflections, and believing by what she could observe that she was near the mouth of the subterraneous cavern, she approached the door that had been opened; but a sudden gust of wind that met her at the door extinguished her lamp, and left her in total darkness.
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Η γιορτή σταματά και κανείς δεν ξέρει τι να πει.

Young Conrad’s birthday was fixed for his espousals. The company was assembled in the chapel of the Castle, and everything ready for beginning the divine office, when Conrad himself was missing. Manfred, impatient of the least delay, and who had not observed his son retire, despatched one of his attendants to summon the young Prince. The servant, who had not stayed long enough to have crossed the court to Conrad’s apartment, came running back breathless, in a frantic manner, his eyes staring, and foaming at the mouth. He said nothing, but pointed to the court.
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Ο τύραννος που δεν είναι ακριβώς τέρας.

This presence of mind, joined to the frankness of the youth, staggered Manfred. He even felt a disposition towards pardoning one who had been guilty of no crime. Manfred was not one of those savage tyrants who wanton in cruelty unprovoked. The circumstances of his fortune had given an asperity to his temper, which was naturally humane; and his virtues were always ready to operate, when his passions did not obscure his reason.
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Η Μπιάνκα έχει δει τα σημάδια και δεν κρατιέται να τα διηγηθεί.

“So Jaquez thinks, may it please your Greatness,” said Bianca. “He says this moon will not be out without our seeing some strange revolution. For my part, I should not be surprised if it was to happen to-morrow; for, as I was saying, when I heard the clattering of armour, I was all in a cold sweat. I looked up, and, if your Greatness will believe me, I saw upon the uppermost banister of the great stairs a hand in armour as big as big. I thought I should have swooned. I never stopped until I came hither—would I were well out of this castle. My Lady Matilda told me but yester-morning that her Highness Hippolita knows something.”
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Μπορεί μια καταστροφή να είναι και έλεος;

Heaven mocks the short-sighted views of man. But yester-morn, whose house was so great, so flourishing as Manfred’s?—where is young Conrad now?—My Lord, I respect your tears—but I mean not to check them—let them flow, Prince! They will weigh more with heaven toward the welfare of thy subjects, than a marriage, which, founded on lust or policy, could never prosper. The sceptre, which passed from the race of Alfonso to thine, cannot be preserved by a match which the church will never allow. If it is the will of the Most High that Manfred’s name must perish, resign yourself, my Lord, to its decrees; and thus deserve a crown that can never pass away. Come, my Lord; I like this sorrow—let us return to the Princess: she is not apprised of your cruel intentions; nor did I mean more than to alarm you.
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Προσπαθεί να φανεί φιλόξενος, μα οι καλεσμένοι δεν απαντούν.

“Sirs” said the Prince, “ye are the first guests I ever treated within these walls who scorned to hold any intercourse with me: nor has it oft been customary, I ween, for princes to hazard their state and dignity against strangers and mutes. You say you come in the name of Frederic of Vicenza; I have ever heard that he was a gallant and courteous Knight; nor would he, I am bold to say, think it beneath him to mix in social converse with a Prince that is his equal, and not unknown by deeds in arms. Still ye are silent—well! be it as it may—by the laws of hospitality and chivalry ye are masters under this roof: ye shall do your pleasure. But come, give me a goblet of wine; ye will not refuse to pledge me to the healths of your fair mistresses.”
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Το πρώτο σκίρτημα, κι ο ουρανός απαντά με βροντή.

Theodore flung himself at her feet, and seizing her lily hand, which with struggles she suffered him to kiss, he vowed on the earliest opportunity to get himself knighted, and fervently entreated her permission to swear himself eternally her knight. Ere the Princess could reply, a clap of thunder was suddenly heard that shook the battlements. Theodore, regardless of the tempest, would have urged his suit: but the Princess, dismayed, retreated hastily into the castle, and commanded the youth to be gone with an air that would not be disobeyed. He sighed, and retired, but with eyes fixed on the gate, until Matilda, closing it, put an end to an interview, in which the hearts of both had drunk so deeply of a passion, which both now tasted for the first time.
— Το Κάστρο του Οτράντο, Horace Walpole (1764)

Το Κάστρο του Οτράντο

Horace Walpole, 1764

Ένα κάστρο, ένα τεράστιο κράνος που πέφτει από το πουθενά κι ένας τύραννος με βαρύ αιματολογικό φορτίο: το μυθιστόρημα του 1764 που γέννησε τη γοτθική λογοτεχνία και παραμένει αληθινά παράξενο, αστείο και τρομακτικό.

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