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Αποσπάσματα από το «The Awakening»

Σελίδες από το «The Awakening» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Η διπλή ζωή που οι περισσότεροι ζουν χωρίς να την ονομάζουν.

Mrs. Pontellier was not a woman given to confidences, a characteristic hitherto contrary to her nature. Even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions.
— The Awakening, Kate Chopin (1899)

Η πρώτη φορά που το σώμα σου καταφέρνει κάτι που δεν ήξερες πως μπορούσε.

But that night she was like the little tottering, stumbling, clutching child, who of a sudden realizes its powers, and walks for the first time alone, boldly and with overconfidence. She could have shouted for joy. She did shout for joy, as with a sweeping stroke or two she lifted her body to the surface of the water.
— The Awakening, Kate Chopin (1899)

Κοιτάζει το ίδιο της το χέρι σαν να ανήκει σε κάποιον άλλον.

Edna, left alone in the little side room, loosened her clothes, removing the greater part of them. She bathed her face, her neck and arms in the basin that stood between the windows. She took off her shoes and stockings and stretched herself in the very center of the high, white bed. How luxurious it felt to rest thus in a strange, quaint bed, with its sweet country odor of laurel lingering about the sheets and mattress! She stretched her strong limbs that ached a little. She ran her fingers through her loosened hair for a while. She looked at her round arms as she held them straight up and rubbed them one after the other, observing closely, as if it were something she saw for the first time, the fine, firm quality and texture of her flesh.
— The Awakening, Kate Chopin (1899)

Τι κερδίζεις και τι σου κοστίζει όταν αποφασίζεις μόνος σου.

The pigeon house pleased her. It at once assumed the intimate character of a home, while she herself invested it with a charm which it reflected like a warm glow. There was with her a feeling of having descended in the social scale, with a corresponding sense of having risen in the spiritual. Every step which she took toward relieving herself from obligations added to her strength and expansion as an individual. She began to look with her own eyes; to see and to apprehend the deeper undercurrents of life. No longer was she content to “feed upon opinion” when her own soul had invited her.
— The Awakening, Kate Chopin (1899)

Ο θαυμασμός που δείχνει στο τραπέζι και αυτός που κρύβει.

The picture of the tragedian stood enframed upon her desk. Any one may possess the portrait of a tragedian without exciting suspicion or comment. (This was a sinister reflection which she cherished.) In the presence of others she expressed admiration for his exalted gifts, as she handed the photograph around and dwelt upon the fidelity of the likeness. When alone she sometimes picked it up and kissed the cold glass passionately.
— The Awakening, Kate Chopin (1899)

Μια ευτυχία που έρχεται χωρίς λόγο και δεν ζητά εξηγήσεις.

There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested.
— The Awakening, Kate Chopin (1899)

Η απελπισία φτάνει στο δικό της πάρτι σαν αέρας από άλλο δωμάτιο.

But as she sat there amid her guests, she felt the old ennui overtaking her; the hopelessness which so often assailed her, which came upon her like an obsession, like something extraneous, independent of volition. It was something which announced itself; a chill breath that seemed to issue from some vast cavern wherein discords waited. There came over her the acute longing which always summoned into her spiritual vision the presence of the beloved one, overpowering her at once with a sense of the unattainable.
— The Awakening, Kate Chopin (1899)

Το βάρος του να είσαι εκείνος στον οποίο όλοι εμπιστεύονται τα μυστικά τους.

Outside, away from the glow of the fire and the soft lamplight, the night was chill and murky. The Doctor doubled his old-fashioned cloak across his breast as he strode home through the darkness. He knew his fellow-creatures better than most men; knew that inner life which so seldom unfolds itself to unanointed eyes. He was sorry he had accepted Pontellier’s invitation. He was growing old, and beginning to need rest and an imperturbed spirit. He did not want the secrets of other lives thrust upon him.
— The Awakening, Kate Chopin (1899)

The Awakening

Kate Chopin, 1899

Μια σύζυγος στη Νέα Ορλεάνη ανακαλύπτει την επιθυμία της και τη δική της γνώμη, και αρνείται να απαρνηθεί καθεμία από τις δυο. Καταδικάστηκε το 1899· σήμερα διαβάζεται σαν μια προσωπικότητα που πλάθεται.

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