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Αποσπάσματα από το «Short Fiction»

Σελίδες από το «Short Fiction» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Μια ζωή στο άρμεγμα χαράζεται στο μέτωπο μιας γυναίκας.

Her monotonous milking at the dairy was resumed, and followed for many long years, till her form became bent, and her once abundant dark hair white and worn away at the forehead—perhaps by long pressure against the cows. Here, sometimes, those who knew her experiences would stand and observe her, and wonder what sombre thoughts were beating inside that impassive, wrinkled brow, to the rhythm of the alternating milk-streams.
— Short Fiction, Thomas Hardy (1888)

Χορεύουν χωρίς μουσική, με τον ρυθμό του φεγγαριού.

Withdrawing with her to a nook where two high hedges met, and where the grass was elastic and dry, he lightly rested his arm on her waist, and practised with her the new step of fascination. Instead of music he whispered numbers, and she, as may be supposed, showed no slight aptness in following his instructions. Thus they moved round together, the moon-shadows from the twigs racing over their forms as they turned.
— Short Fiction, Thomas Hardy (1888)

Το πιο ακίνητο στοιχείο του τοπίου αλλάζει διαρκώς.

At one’s every step forward it rises higher against the south sky, with an obtrusive personality that compels the senses to regard it and consider. The eyes may bend in another direction, but never without the consciousness of its heavy, high-shouldered presence at its point of vantage. Across the intervening levels the gale races in a straight line from the fort, as if breathed out of it hitherward. With the shifting of the clouds the faces of the steeps vary in colour and in shade, broad lights appearing where mist and vagueness had prevailed, dissolving in their turn into melancholy gray, which spreads over and eclipses the luminous bluffs. In this so-thought immutable spectacle all is change.
— Short Fiction, Thomas Hardy (1888)

Κι αν κάθε λέξη που ειπώθηκε έμενε στον αέρα;

Acoustic perceptions multiply tonight. We can almost hear the stream of years that have borne those deeds away from us. Strange articulations seem to float on the air from that point, the gateway, where the animation in past times must frequently have concentrated itself at hours of coming and going, and general excitement. There arises an ineradicable fancy that they are human voices; if so, they must be the lingering airborne vibrations of conversations uttered at least fifteen hundred years ago.
— Short Fiction, Thomas Hardy (1888)

Η παράξενη ηρεμία όταν η συμφορά συμβαίνει σε κάποιον άλλον.

He was a young gardener of her acquaintance. She told him the particulars of the late event, and they stood silent, these two young people, in that elevated, calmly philosophic mind which is engendered when a tragedy has happened close at hand, and has not happened to the philosophers themselves. But it had its bearing upon their relations.
— Short Fiction, Thomas Hardy (1888)

Ακούς μια ολόκληρη κοιλάδα που δεν μπορείς να δεις.

But though nothing in the vale could be seen from higher ground, notes of differing kinds gave pretty clear indications that bustling life was going on there. This audible presence and visual absence of an active scene had a peculiar effect above the fog level. Nature had laid a white hand over the creatures ensconced within the vale, as a hand might be laid over a nest of chirping birds.
— Short Fiction, Thomas Hardy (1888)

Ο παράλογος κόπος για να φτιάχνεις κάθε μέρα ένα τέτοιο χτένισμα.

To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery. Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if somewhat barbaric, example of ingenious art. One could understand such weavings and coilings being wrought to last intact for a year, or even a calendar month; but that they should be all demolished regularly at bedtime, after a single day of permanence, seemed a reckless waste of successful fabrication.
— Short Fiction, Thomas Hardy (1888)

Δυο πρόσωπα δίπλα δίπλα, με το καθένα να φανερώνει άλλη ζωή.

The next evening, while the sun was yet bright, a handsome new gig, with a lemon-coloured body and red wheels, was spinning westward along the level highway at the heels of a powerful mare. The driver was a yeoman in the prime of life, cleanly shaven like an actor, his face being toned to that bluish-vermilion hue which so often graces a thriving farmer’s features when returning home after successful dealings in the town. Beside him sat a woman, many years his junior—almost, indeed, a girl. Her face too was fresh in colour, but it was of a totally different quality—soft and evanescent, like the light under a heap of rose-petals.
— Short Fiction, Thomas Hardy (1888)

Κάθε γενιά βρίσκει γελοίους τους στρατιώτες της προηγούμενης.

It was nearly ninety years ago. The British uniform of the period, with its immense epaulettes, queer cocked-hat, breeches, gaiters, ponderous cartridge-box, buckled shoes, and whatnot, would look strange and barbarous now. Ideas have changed; invention has followed invention. Soldiers were monumental objects then. A divinity still hedged kings here and there; and war was considered a glorious thing.
— Short Fiction, Thomas Hardy (1888)

Short Fiction

Thomas Hardy, 1888

Τα διηγήματα του Χάρντι: αγρότες, γαλατούδες, ουσάροι και φαντάσματα, όπου μια ομιχλώδης νύχτα ή μια μικρή απόφαση καθορίζει αθόρυβα μια ολόκληρη ζωή.

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