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Αποσπάσματα από το «Iola Leroy»

Σελίδες από το «Iola Leroy» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Της προσφέρουν ένα παλάτι κι εκείνη σκέφτεται μια φωνή.

When the war is over I intend to search the country for my mother. Doctor, were you to give me a palace-like home, with velvet carpets to hush my tread, and magnificence to surround my way, I should miss her voice amid all other tones, her presence amid every scene. Oh, you do not know how hungry my heart is for my mother! Were I to marry you I would carry an aching heart into your home and dim its brightness. I have resolved never to marry until I have found my mother. The hope of finding her has colored all my life since I regained my freedom. It has helped sustain me in the hour of fearful trial.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Δύο γυναίκες στην ίδια ανάγκη, αλλά μία πόρτα ανοίγει.

One day she found an outcast colored girl, whom she wished to rescue. She took her to an asylum for fallen women and made an application for her, but was refused. Colored girls were not received there. Soon after mamma found among the colored people an outcast white girl. Mamma’s sympathies, unfettered by class distinction, were aroused in her behalf, and, in company with two white ladies, she went with the girl to that same refuge. For her the door was freely opened and admittance readily granted. It was as if two women were sinking in the quicksands, and on the solid land stood other women with lifelines in their hands, seeing the deadly sands slowly creeping up around the hapless victims. To one they readily threw the lines of deliverance, but for the other there was not one strand of salvation.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Άλλα λέει για τη ζωή του κι άλλα λαχταρά.

When the army was afar off, he had appeared to be lighthearted and content with his lot. If asked if he desired his freedom, he would have answered, very naively, that he was eating his white bread and believed in letting well enough alone; he had no intention of jumping from the frying-pan into the fire. But in the depths of his soul the love of freedom was an all-absorbing passion; only danger had taught him caution. He had heard of terrible vengeance being heaped upon the heads of some who had sought their freedom and failed in the attempt. Robert knew that he might abandon hope if he incurred the wrath of men whose overthrow was only a question of time.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Τι θα διάβαζες πρώτο, αν σε είχαν στερήσει την ανάγνωση;

Iola had found a schoolroom in the basement of a colored church, where the doors were willingly opened to her. Her pupils came from miles around, ready and anxious to get some “book larnin’.” Some of the old folks were eager to learn, and it was touching to see the eyes which had grown dim under the shadows of slavery, donning spectacles and trying to make out the words. As Iola had nearly all of her life been accustomed to colored children she had no physical repulsions to overcome, no prejudices to conquer in dealing with parents and children. In their simple childish fashion they would bring her fruits and flowers, and gladden her lonely heart with little tokens of affection.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Άλλο να λυπάσαι κάποιον κι άλλο να παίρνεις τη θέση του.

Since Harry had come North he had learned to feel profound pity for the slave. But there is a difference between looking on a man as an object of pity and protecting him as such, and being identified with him and forced to share his lot. To take his place with them on the arena of life was the test of his life, but love was stronger than pride.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Θα μπορούσε να χτίσει καριέρα ξεχνώντας. Εκείνος αρνείται να ξεχάσει.

The officer look puzzled. It was a new experience. He had seen colored men with fair complexions anxious to lose their identity with the colored race and pose as white men, but here was a man in the flush of his early manhood, to whom could come dreams of promotion from a simple private to a successful general, deliberately turning his back upon every gilded hope and dazzling opportunity, to cast his lot with the despised and hated negro.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Ο πόλεμος τελείωσε. Εκείνος μετρά ήδη τον επόμενο αγώνα.

“Well, Salters,” continued Robert, “our freedom was a costly thing. Did you know that Captain Sybil was killed in one of the last battles of the war? These young chaps, who are taking it so easy, don’t know the hardships through which we older ones passed. But all the battles are not fought, nor all the victories won. The colored man has escaped from one slavery, and I don’t want him to fall into another. I want the young folks to keep their brains clear, and their right arms strong, to fight the battles of life manfully, and take their places alongside of every other people in this country. And I cannot see what is to hinder them if they get a chance.”
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Το τίμημα να πιστεύεις σε μια χώρα που δεν πιστεύει σε σένα.

Robert waited eagerly and hopefully his chance to join the Union army; and was ready and willing to do anything required of him by which he could earn his freedom and prove his manhood. He conducted his plans with the greatest secrecy. A few faithful and trusted friends stood ready to desert with him when the Union army came within hailing distance. When it came, there was a stampede to its ranks of men ready to serve in any capacity, to labor in the tents, fight on the fields, or act as scouts. It was a strange sight to see these black men rallying around the Stars and Stripes, when white men were trampling them under foot and riddling them with bullets.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Το μόνο πράγμα που μια καλοσυνάτη γυναίκα αρνείται να μάθει.

“Oh, yer can’t git dat book froo my head, no way you fix it. I knows nuff to git to hebben, and dat’s all I wants to know.” Aunt Linda was kind and obliging, but there was one place where she drew the line, and that was at learning to read.
— Iola Leroy, Frances Ellen Watkins Harper (1892)

Iola Leroy

Frances Ellen Watkins Harper, 1892

Ένα μυθιστόρημα του Εμφυλίου που ακολουθεί μια γυναίκα με ανοιχτόχρωμη επιδερμίδα, η οποία είναι σκλαβωμένη, και τον αδελφό της, καθώς η χειραφέτηση τούς αναγκάζει να αποφασίσουν τι θα σημαίνουν η φυλή, η οικογένεια και η ελευθερία.

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