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Αποσπάσματα από το «Ghost Stories»

Σελίδες από το «Ghost Stories» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Κρατά το πληγωμένο πουλί σαν να πεινάει.

It was clear that the kindest thing to do would be to put the bird out of its pain, but when I suggested that, she took a step back from me, and covered it with her other hand. Her eyes gleamed, her mouth smiled, and I saw the tip of her tongue swiftly pass over her lips as if licking them.
— Ghost Stories, E. F. Benson (1912)

Ένα φως βρίσκει δύο μορφές· τότε μια γυναικεία φωνή υψώνεται πάνω από το ποτάμι.

Suddenly across the gloom shot a tiny spear of light, and momentarily as we watched, it grew larger and longer, till a tall beam, as from some window cut in the rock opposite, was shed on the bank below us. It moved slowly, imperceptibly to the left till it struck full between the two black figures standing there, and shone with a curious bluish gleam on the flat stone in front of them. Then the roar of the river was suddenly overscored by a dreadful screaming voice, the voice of a woman, and from her side her arms shot up and out as if in invocation of some power.
— Ghost Stories, E. F. Benson (1912)

Μια γνώριμη φωνή στο παράθυρο, κι ένας καλός λόγος να μην ανοίξεις το στόρι.

All this was rather shaky business, so before going to bed he steadied himself, as his unspoken phrase ran, with a final drink. Outside the thunder had ceased, but the rain beat hissing on to the grass. Then another sound mingled with it, the mewing of a cat, not the long drawn screeches and cries that are usual, but the plaintive calls of the beast that wants to be admitted into its own home. The blind was down, but after a while he could not resist peeping out. There on the windowsill was seated the large grey cat. Though it was raining heavily its fur seemed dry, for it was standing stiffly away from its body. But when it saw him it spat at him, scratching angrily at the glass, and vanished.
— Ghost Stories, E. F. Benson (1912)

Ο θάνατος δεν σταματά τον εκνευρισμό με τους υπηρέτες.

She recited the usual invocation to guides and angels, and leaned back in her chair. Presently she began to twitch and mutter, and shortly afterwards with several loud snorts, relapsed into cataleptic immobility. There she lay, stiff as a poker, a port of call, so to speak, for any voyaging intelligence. With pleased anticipation Mr. Tilly awaited their coming. How gratifying if Napoleon, with whom he had so often talked, recognised him and said, “Pleased to see you, Mr. Tilly. I perceive you have joined us. …” The room was dark except for the ruby-shaded lamp in front of Cardinal Newman, but to Mr. Tilly’s emancipated perceptions the withdrawal of mere material light made no difference, and he idly wondered why it was generally supposed that disembodied spirits like himself produced their most powerful effects in the dark.
— Ghost Stories, E. F. Benson (1912)

Το φάντασμα χάνεται· το σκοινί μένει στο πάτωμα.

As he spoke it came. In the centre of the room not three yards away from them stood the figure of a man with his head bent over on to his shoulder, so that the face was not visible. Then he took his head in both his hands and raised it like a weight, and looked them in the face. The eyes and tongue protruded, a livid mark was round the neck. Then there came a sharp rattle on the boards of the floor, and the figure was no longer there. But on the floor there lay a new rope.
— Ghost Stories, E. F. Benson (1912)

Μια ήσυχη σειρά σπιτιών δεν είναι πάντα αυτό που φαίνεται.

Yet, after the time of which I shall now speak, I have never passed down its pavement without wondering whether each house, so seemingly-tranquil, is not, like some dynamo, softly and smoothly bringing into being vast and terrible forces, such as those I once saw at work in the last house at the upper end of the Terrace, the quietest, you would have said, of all the row.
— Ghost Stories, E. F. Benson (1912)

Ghost Stories

E. F. Benson, 1912

Αγγλικά φαντάσματα από τον γιο ενός αρχιεπισκόπου, που έγραφε τις ιστορίες του με ένα πολιτισμένο χαμόγελο: στοιχειωμένα υπνοδωμάτια, έθιμα χωριών και ένας νεκρός που αγωνιά στη δική του συνεδρία πνευματισμού.

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