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Αποσπάσματα από το «David Copperfield»

Σελίδες από το «David Copperfield» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

We have all some experience of a feeling, that comes over us occasionally, of what we are saying and doing having been said and done before, in a remote time—of our having been surrounded, dim ages ago, by the same faces, objects, and circumstances—of our knowing perfectly what will be said next, as if we suddenly remembered it! I never had this mysterious impression more strongly in my life, than before he uttered those words.
— David Copperfield, Charles Dickens (1850)
A long room with three long rows of desks, and six of forms, and bristling all round with pegs for hats and slates. Scraps of old copybooks and exercises litter the dirty floor. Some silkworms’ houses, made of the same materials, are scattered over the desks. Two miserable little white mice, left behind by their owner, are running up and down in a fusty castle made of pasteboard and wire, looking in all the corners with their red eyes for anything to eat. A bird, in a cage very little bigger than himself, makes a mournful rattle now and then in hopping on his perch, two inches high, or dropping from it; but neither sings nor chirps.
— David Copperfield, Charles Dickens (1850)
My schooldays! The silent gliding on of my existence—the unseen, unfelt progress of my life—from childhood up to youth! Let me think, as I look back upon that flowing water, now a dry channel overgrown with leaves, whether there are any marks along its course, by which I can remember how it ran.
— David Copperfield, Charles Dickens (1850)
I don’t know what it was, in her touch or voice, that made that song the most unearthly I have ever heard in my life, or can imagine. There was something fearful in the reality of it. It was as if it had never been written, or set to music, but sprung out of passion within her; which found imperfect utterance in the low sounds of her voice, and crouched again when all was still. I was dumb when she leaned beside the harp again, playing it, but not sounding it, with her right hand.
— David Copperfield, Charles Dickens (1850)
Uriah stopped short, put his hands between his great knobs of knees, and doubled himself up with laughter. With perfectly silent laughter. Not a sound escaped from him. I was so repelled by his odious behaviour, particularly by this concluding instance, that I turned away without any ceremony; and left him doubled up in the middle of the garden, like a scarecrow in want of support.
— David Copperfield, Charles Dickens (1850)
He saw everything he related. It passed before him, as he spoke, so vividly, that, in the intensity of his earnestness, he presented what he described to me, with greater distinctness than I can express. I can hardly believe, writing now long afterwards, but that I was actually present in these scenes; they are impressed upon me with such an astonishing air of fidelity.
— David Copperfield, Charles Dickens (1850)
My aunt, with every sort of expression but wonder discharged from her countenance, sat on the gravel, staring at me, until I began to cry; when she got up in a great hurry, collared me, and took me into the parlour. Her first proceeding there was to unlock a tall press, bring out several bottles, and pour some of the contents of each into my mouth. I think they must have been taken out at random, for I am sure I tasted aniseed water, anchovy sauce, and salad dressing.
— David Copperfield, Charles Dickens (1850)
I felt the words of my lessons slipping off, not one by one, or line by line, but by the entire page; I tried to lay hold of them; but they seemed, if I may so express it, to have put skates on, and to skim away from me with a smoothness there was no checking.
— David Copperfield, Charles Dickens (1850)
I strolled into the country for an hour or so, and then returned by the main street, which in the interval had shaken off its last night’s sleep. Among those who were stirring in the shops, I saw my ancient enemy the butcher, now advanced to top-boots and a baby, and in business for himself. He was nursing the baby, and appeared to be a benignant member of society.
— David Copperfield, Charles Dickens (1850)

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