David Copperfield
Charles Dickens, 1850
A boy survives debt, school and unreliable adults, and learns how memory turns a life into a story.
Pages from David Copperfield that stand on their own, chosen for how they read today. The text is in the public domain.
The eerie certainty that you have lived this exact moment before.
We have all some experience of a feeling, that comes over us occasionally, of what we are saying and doing having been said and done before, in a remote time—of our having been surrounded, dim ages ago, by the same faces, objects, and circumstances—of our knowing perfectly what will be said next, as if we suddenly remembered it! I never had this mysterious impression more strongly in my life, than before he uttered those words. A classroom where even the animals seem to have given up.
A long room with three long rows of desks, and six of forms, and bristling all round with pegs for hats and slates. Scraps of old copybooks and exercises litter the dirty floor. Some silkworms’ houses, made of the same materials, are scattered over the desks. Two miserable little white mice, left behind by their owner, are running up and down in a fusty castle made of pasteboard and wire, looking in all the corners with their red eyes for anything to eat. A bird, in a cage very little bigger than himself, makes a mournful rattle now and then in hopping on his perch, two inches high, or dropping from it; but neither sings nor chirps. Looking back for the marks of a life that simply flowed past.
My schooldays! The silent gliding on of my existence—the unseen, unfelt progress of my life—from childhood up to youth! Let me think, as I look back upon that flowing water, now a dry channel overgrown with leaves, whether there are any marks along its course, by which I can remember how it ran. A song that sounds less composed than escaped from someone.
I don’t know what it was, in her touch or voice, that made that song the most unearthly I have ever heard in my life, or can imagine. There was something fearful in the reality of it. It was as if it had never been written, or set to music, but sprung out of passion within her; which found imperfect utterance in the low sounds of her voice, and crouched again when all was still. I was dumb when she leaned beside the harp again, playing it, but not sounding it, with her right hand. The most unnerving laugh is the one you cannot hear.
Uriah stopped short, put his hands between his great knobs of knees, and doubled himself up with laughter. With perfectly silent laughter. Not a sound escaped from him. I was so repelled by his odious behaviour, particularly by this concluding instance, that I turned away without any ceremony; and left him doubled up in the middle of the garden, like a scarecrow in want of support. When someone's story becomes more real than the room you're in.
He saw everything he related. It passed before him, as he spoke, so vividly, that, in the intensity of his earnestness, he presented what he described to me, with greater distinctness than I can express. I can hardly believe, writing now long afterwards, but that I was actually present in these scenes; they are impressed upon me with such an astonishing air of fidelity. The stranger who meets you at your worst and doses you at random.
My aunt, with every sort of expression but wonder discharged from her countenance, sat on the gravel, staring at me, until I began to cry; when she got up in a great hurry, collared me, and took me into the parlour. Her first proceeding there was to unlock a tall press, bring out several bottles, and pour some of the contents of each into my mouth. I think they must have been taken out at random, for I am sure I tasted aniseed water, anchovy sauce, and salad dressing. What a child's mind does when the words won't stay.
I felt the words of my lessons slipping off, not one by one, or line by line, but by the entire page; I tried to lay hold of them; but they seemed, if I may so express it, to have put skates on, and to skim away from me with a smoothness there was no checking. The schoolboy enemy, grown up and unexpectedly domestic.
I strolled into the country for an hour or so, and then returned by the main street, which in the interval had shaken off its last night’s sleep. Among those who were stirring in the shops, I saw my ancient enemy the butcher, now advanced to top-boots and a baby, and in business for himself. He was nursing the baby, and appeared to be a benignant member of society. Charles Dickens, 1850
A boy survives debt, school and unreliable adults, and learns how memory turns a life into a story.
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