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Αποσπάσματα από το «Clotel»

Σελίδες από το «Clotel» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Η τιμή για την αρετή μιας γυναίκας ανεβαίνει με κάθε προσφορά.

“Ah; gentlemen, that is something like. This paper also states that she is very intelligent.” “Eight hundred.” “She is a devoted Christian, and perfectly trustworthy.” “Nine hundred.” “Nine fifty.” “Ten.” “Eleven.” “Twelve hundred.” Here the sale came to a dead stand. The auctioneer stopped, looked around, and began in a rough manner to relate some anecdotes relative to the sale of slaves, which, he said, had come under his own observation. At this juncture the scene was indeed strange. Laughing, joking, swearing, smoking, spitting, and talking kept up a continual hum and noise amongst the crowd; while the slave-girl stood with tears in her eyes, at one time looking towards her mother and sister, and at another towards the young man whom she hoped would become her purchaser. “The chastity of this girl is pure; she has never been from under her mother’s care; she is a virtuous creature.”
— Clotel, William Wells Brown (1853)

Δυο πλοία φτάνουν την ίδια χρονιά σε απέναντι ακτές.

What is she? She is freighted with the elements of unmixed evil. Hark! hear those rattling chains, hear that cry of despair and wail of anguish, as they die away in the unpitying distance. Listen to those shocking oaths, the crack of that flesh-cutting whip. Ah! it is the first cargo of slaves on their way to Jamestown, Virginia. Behold the Mayflower anchored at Plymouth Rock, the slave-ship in James River. Each a parent, one of the prosperous, labour-honouring, law-sustaining institutions of the North; the other the mother of slavery, idleness, lynch-law, ignorance, unpaid labour, poverty, and duelling, despotism, the ceaseless swing of the whip, and the peculiar institutions of the South. These ships are the representation of good and evil in the New World, even to our day. When shall one of those parallel lines come to an end?
— Clotel, William Wells Brown (1853)

Ο αφέντης του διαβάζει για την ελευθερία· εκείνος ρωτά γιατί δεν τον αφορά.

I have heard my master read in the Declaration of Independence ‘that all men are created free and equal,’ and this caused me to inquire of myself why I was a slave. I also heard him talking with some of his visitors about the war with England, and he said, all wars and fightings for freedom were just and right. If so, in what am I wrong? The grievances of which your fathers complained, and which caused the Revolutionary War, were trifling in comparison with the wrongs and sufferings of those who were engaged in the late revolt. Your fathers were never slaves, ours are; your fathers were never bought and sold like cattle, never shut out from the light of knowledge and religion, never subjected to the lash of brutal taskmasters.
— Clotel, William Wells Brown (1853)

Μια γιαγιά προσεύχεται να μετανοήσουν οι άντρες που πούλησαν τον γιο της.

“The pious old woman, when she heard this, forgetful of her son’s misery, and everything else but the glorious hope of his repentance, fell on her knees, and prayed as follows: ‘Oh! Lord, I thank thee, that thou hast at last opened Jimmy’s eyes to the error of his ways; and I pray that, in thy Divine mercy, thou wilt send a rattlesnake to bite the old man, and another to bite Tom, and another to bite Harry, for I am certain that nothing but a rattlesnake, or something of the kind, will ever turn them from their sinful ways, they are so hardheaded.’ When returning home, and before I got out of the Sand Hill district, I saw a funeral, and thought I would fasten my horse to a post and attend.
— Clotel, William Wells Brown (1853)

Ένα διαφημιστικό κείμενο καυχιέται για την προέλευση των πτωμάτων.

Some advantages of a peculiar character are connected with this institution, which it may be proper to point out. No place in the United States offers as great opportunities for the acquisition of anatomical knowledge. Subjects being obtained from among the coloured population in sufficient numbers for every purpose, and proper dissections carried on without offending any individuals in the community!
— Clotel, William Wells Brown (1853)

Δώδεκα ένορκοι και τέσσερις δικαστές αποφασίζουν αν ένας εργαζόμενος μπορεί να ψηφίσει.

The whole of Thursday last was occupied by the Court of Common Pleas for this county in trying to find out whether one Thomas West was of the voting colour, as some had very constitutional doubts as to whether his colour was orthodox, and whether his hair was of the official crisp! Was it not a dignified business? Four profound judges, four acute lawyers, twelve grave jurors, and I don’t know how many venerable witnesses, making in all about thirty men, perhaps, all engaged in the profound, laborious, and illustrious business, of finding out whether a man who pays tax, works on the road, and is an industrious farmer, has been born according to the republican, Christian constitution of Ohio—so that he can vote! And they wisely, gravely, and “judgmatically” decided that he should not vote! What wisdom—what research it must have required to evolve this truth!
— Clotel, William Wells Brown (1853)

Η απόφαση ελευθερώνει τη μητέρα, όχι τα παιδιά της.

After a long and tedious trial of many days, it was decided that Salome Miller was by birth a free woman, and she was set at liberty. The good and generous Althesa had contributed some of the money toward bringing about the trial, and had done much to cheer on Mrs. Marshall in her benevolent object. Salome Miller is free, but where are her three children? They are still slaves, and in all human probability will die as such.
— Clotel, William Wells Brown (1853)

Ζητά να γίνει γάμος, παρότι ξέρει πως ο νόμος δεν θα τον αναγνωρίσει.

The tenderness of Clotel’s conscience, together with the care her mother had with her and the high value she placed upon virtue, required an outward marriage; though she well knew that a union with her proscribed race was unrecognised by law, and therefore the ceremony would give her no legal hold on Horatio’s constancy. But her high poetic nature regarded reality rather than the semblance of things; and when he playfully asked how she could keep him if he wished to run away, she replied, “If the mutual love we have for each other, and the dictates of your own conscience do not cause you to remain my husband, and your affections fall from me, I would not, if I could, hold you by a single fetter.” It was indeed a marriage sanctioned by heaven, although unrecognised on earth.
— Clotel, William Wells Brown (1853)

Clotel

William Wells Brown, 1853

Το πρώτο μυθιστόρημα Αφροαμερικανού συγγραφέα, μια αφήγηση για τη σκλαβιά που ακολουθεί τις κόρες του Τόμας Τζέφερσον καθώς πωλούνται, χωρίζονται και καταδιώκονται στον αμερικανικό Νότο.

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