Βιβλία σαν το «Smiley's People»

Two partners ran Commercial Real Estate at Scully & Pershing. One was nearing retirement age and had already been shoved out. The other was Andy Grubman, a forty-year-old pencil pusher who’d never seen a courtroom. As a partner, he had a nice office with a distant view of the Hudson, water he hadn’t noticed in years. On a shelf behind his desk, and squarely in the center of his Ego Wall, there was a collection of miniature skyscrapers. “My buildings” he liked to call them. Upon completion of one of his buildings, he commissioned a sculptor to replicate it on a smaller scale, and he generously gave an even smaller trophy to each member of “my team.” In her three years at S&P, Samantha’s collection had six buildings, and that was as large as it would get.

I’m rightly tired of the pain I hear and feel, boss. I’m tired of bein on the road, lonely as a robin in the rain. Not never havin no buddy to go on with or tell me where we’s comin from or goin to or why. I’m tired of people bein ugly to each other. It feels like pieces of glass in my head. I’m tired of all the times I’ve wanted to help and couldn’t. I’m tired of bein in the dark. Mostly it’s the pain. There’s too much. If I could end it, I would. But I can’t.

But the major would never offer the slightest objection about anything where the general was concerned. “Mad Anthony” Blackburn had carried a broken young lieutenant out of a North Vietnamese prison camp, away from torture and starvation, and brought him through the jungles back to American lines. That was years ago; the lieutenant was a major now, the senior aide to the Chairman of the Joint Chiefs of Staff.

So during those months my evening schedule rarely varied. Leaving the McGraw-Hill Building at five, I would take the Eighth Avenue subway train (a nickel) to Village Square, where, after debarking, I made straight for a corner delicatessen and bought the three cans of Rheingold my severe and budgetary conscience permitted me. Thence to my roomlet, where I would stretch out on the corrugated mattress with its Clorox-fragrant sheets laundered to transparency and read until the last of my beers grew warm—a matter of an hour and a half or so. Mercifully, I was at that age when reading was still a passion and thus, save for a happy marriage, the best state possible in which to keep absolute loneliness at bay. I could not have made it through those evenings otherwise.

She would not say of anyone in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.

DOES SUCH a thing as “the fatal flaw,” that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn’t. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.