Passages from The Scarlet Pimpernel

A marriage measured in how many rooms apart two people sleep.

All else was quiet round her. She had heard the horses prancing as they were being led away to their distant stables, the hurrying of servants’ feet as they had all gone within to rest: the house also was quite still. In two separate suites of apartments, just above the magnificent reception-rooms, lights were still burning, they were her rooms, and his, well divided from each other by the whole width of the house, as far apart as their own lives had become. Involuntarily she sighed—at that moment she could really not have told why.

The small private room even the closest sibling never enters.

This was his first visit to England since her marriage, and the few months of separation had already seemed to have built up a slight, thin partition between brother and sister; the same deep, intense love was still there, on both sides, but each now seemed to have a secret orchard, into which the other dared not penetrate.

What the sea looks like to someone who cannot sleep.

It was long past midnight when at last Marguerite retired to rest. As she had feared, sleep sedulously avoided her eyes. Her thoughts were of the blackest during these long, weary hours, whilst that incessant storm raged which was keeping her away from Percy. The sound of the distant breakers made her heart ache with melancholy. She was in the mood when the sea has a saddening effect upon the nerves. It is only when we are very happy, that we can bear to gaze merrily upon the vast and limitless expanse of water, rolling on and on with such persistent, irritating monotony, to the accompaniment of our thoughts, whether grave or gay.

The quiet after a party is a room remembering what it was.

It was a ghostlike replica, in fact, of that fashionable gathering upstairs; a ghost that haunts every house where balls and good suppers are given; a picture drawn with white chalk on grey cardboard, dull and colourless, now that the bright silk dresses and gorgeously embroidered coats were no longer there to fill in the foreground, and now that the candles flickered sleepily in their sockets.

The pause in a doorway, waiting to be called back.

The long train of her gold-embroidered gown swept the dead leaves off the steps, making a faint harmonious sh—sh—sh as she glided up, with one hand resting on the balustrade, the rosy light of dawn making an aureole of gold round her hair, and causing the rubies on her head and arms to sparkle. She reached the tall glass doors which led into the house. Before entering, she paused once again to look at him, hoping against hope to see his arms stretched out to her, and to hear his voice calling her back. But he had not moved; his massive figure looked the very personification of unbending pride, of fierce obstinacy.

A whisper, a pinch of snuff, and the sense of a trap closing.

Marguerite instinctively shivered. Chauvelin had not raised his voice above a whisper; he was now quietly taking a pinch of snuff, yet there was something in his attitude, something in those pale, foxy eyes, which seemed to freeze the blood in her veins, as would the sight of some deadly hitherto unguessed peril. “Is that a threat, citoyen?” she asked at last.

Two people side by side, each certain the other would despise them.

As she felt her husband’s strong arm beside her, she also felt how much more he would dislike and despise her, if he knew of this night’s work. Thus human beings judge of one another, with but little reason, and no charity. She despised her husband for his inanities and vulgar, unintellectual occupations; and he, she felt, would despise her still worse, because she had not been strong enough to do right for right’s sake, and to sacrifice her brother to the dictates of her conscience.

A handsome man, ruined by the laugh that follows him everywhere.

Sir Percy Blakeney, as the chronicles of the time inform us, was in this year of grace 1792, still a year or two on the right side of thirty. Tall, above the average, even for an Englishman, broad-shouldered and massively built, he would have been called unusually good-looking, but for a certain lazy expression in his deep-set blue eyes, and that perpetual inane laugh which seemed to disfigure his strong, clearly-cut mouth.

A grown man frozen by a line of chalk drawn on a table.

His face in the silvery light of the moon looked positively ghastly with terror: his eyes were wide open and almost glassy, and his whole body was trembling, as if with ague, while a piteous wail escaped his bloodless lips. The rope which had originally been wound round his shoulders and arms had evidently given way, for it lay in a tangle about his body, but he seemed quite unconscious of this, for he had not made the slightest attempt to move from the place where Desgas had originally put him: like a terrified chicken which looks upon a line of white chalk, drawn on a table, as on a string which paralyzes its movements.