Short Fiction
Mary Shelley, 1829
Mary Shelley's short stories: revenge, shipwrecks, immortals and social climbers—gothic invention in miniature, with the same fierce eye for guilt and longing as Frankenstein.
Pages from Short Fiction that stand on their own, chosen for how they read today. The text is in the public domain.
Three hundred years old, and still checking for grey hairs.
Am I, then, immortal? This is a question which I have asked myself, by day and night, for now three hundred and three years, and yet cannot answer it. I detected a grey hair amidst my brown locks this very day—that surely signifies decay. Yet it may have remained concealed there for three hundred years—for some persons have become entirely white-headed before twenty years of age. The calm she showed the world was not the same as being well.
Do not mistake me; I never was really mad. I was always conscious of my state when my wild thoughts seemed to drive me to insanity, and never betrayed them to aught but silence and solitude. The people around me saw nothing of all this. They only saw a poor girl broken in spirit, who spoke in a low and gentle voice, and from underneath whose downcast lids tears would sometimes steal which she strove to hide. One who loved to be alone, and shrunk from observation; who never smiled; oh, no! I never smiled—and that was all. The peculiar cruelty of news that hasn't arrived yet.
What is there so fearful as the expectation of evil tidings delayed? Sometimes in the midst of tears, or worse, amidst the convulsive gaspings of despair, we reproach ourselves for influencing the eternal fates by our gloomy anticipations: then, if a smile wreathe the mourner’s quivering lip, it is arrested by a throb of agony. Alas! are not the dark tresses of the young painted grey, the full cheek of beauty delved with sad lines by the spirits of such hours? Misery is a more welcome visitant when she comes in her darkest guise and wraps us in perpetual black, for then the heart no longer sickens with disappointed hope. The perversity of wanting exactly what is slipping away.
Why is the mind of man so apt to be swayed by contraries? why does the imagination forever paint the impossible in glittering tints, and the hearts of wayward mortals cling, with the greatest tenacity, to what, eel-like, is bent on escaping from their grasp? Why—to bring the matter home—is solitude abhorrent to me, now that I enjoy it in perfection? I have apostrophized the coy nymph in ballrooms, when the bright lamps of heaven were shamed by brighter earthstars, and lamented her absence at a picnic party, where the nightingale was silenced by the fiddle. The hours a bereaved girl spends watching an empty horizon.
Unable to control the impulse, she would rush from her habitation on the cliff, nor remember, till she reached the shore, that her papooshes were left midway on the mountain-path, and that her forgotten veil and disordered dress were unmeet for such a scene. Often the unnumbered hours sped on, while this orphaned child of happiness leant on a cold dark rock; the low-browed crags beetled over her, the surges broke at her feet, her fair limbs were stained by spray, her tresses dishevelled by the gale. Hopelessly she wept until a sail appeared on the horizon; and then she dried her fast-flowing tears, fixing her large eyes upon the nearing hull or fading topsail. What a boy learns when his pet is killed to prove a point.
“One day—I had been two years at school, and was nearly thirteen—my tyrant, I will give him no other name, issued a command, in the wantonness of power, for me to destroy a poor little bullfinch I had tamed and caged. In a hapless hour he found it in my room, and was indignant that I should dare to appropriate a single pleasure. I refused, stubbornly, dauntlessly, though the consequence of my disobedience was immediate and terrible. At this moment a message came from my tormentor’s tutor—his father had arrived. ‘Well, old lad,’ he cried, ‘I shall pay you off some day!’ Seizing my pet at the same time, he wrung its neck, threw it at my feet, and, with a laugh of derision, quitted the room. Spring arrives, and grief refuses to take the hint.
It was spring; the air was genial and spirit-stirring. The white blossoms of the almond-trees and the pink ones of the peach just began to be contrasted with the green leaves that shot forth among them. Ludovico felt little of the exhilarating effects of spring. Wounded in his heart’s core, he asked nature why she painted a sepulcher; he asked the airs why they fanned the sorrowful and the dead. He wandered forth to solitude. He rambled down the path that led to the sea; he sat on the beach, watching the monotonous flow of the waves; they danced and sparkled; his gloomy thoughts refused to imbibe cheerfulness from wave or sun. How fast a crowd discovers it is crippled, orphaned and starving.
Without another word, he walked towards the inn, followed by the crowd, teasing for alms. A few seconds ago they had all been active and healthy beings, so full of employment they could not afford to mend his calèche unless tempted by some extraordinary reward; now the men declared themselves cripples and invalids, the children were orphans, the women helpless widows, and they would all die of hunger if his Eccellenza did not bestow a few grani. “What a tedious race!” exclaimed the traveller, casting a handful of coins upon the ground, which caused a general scramble, and enabled him to proceed unmolested. The song that reaches straight into a stranger's lost past.
Seating herself upon a stool, in a dark corner of the traveller’s apartment, as far removed as possible from him, and all other interruptions, Marietta passed the evening in playing on her guitar and singing. She was a most accomplished singer, possessing and managing all the intricacies of the art with perfect ease, but this scarcely excited admiration in comparison with the natural beauty of her voice. There was a profound melancholy in its intense sweetness, that dissolved the soul of the traveller in grief. All that was dear to him in the memory of the past—the joys of home and childhood, the tenderness and truth of his first friendships, the glow of patriotism; every cherished hour, every endeared spot, all that he had loved, and all that he had lost upon earth, seemed again to live and again to fade, as he listened to her strains. Lying in total darkness, and finding it almost a relief.
I lay upon the grass surrounded by a darkness which not the slightest beam of light penetrated—There was no sound for the deep night had laid to sleep the insects, the only creatures that lived on the lone spot where no tree or shrub could afford shelter to aught else—There was a wondrous silence in the air that calmed my senses yet which enlivened my soul, my mind hurried from image to image and seemed to grasp an eternity. All in my heart was shadowy yet calm, until my ideas became confused and at length died away in sleep. Mary Shelley, 1829
Mary Shelley's short stories: revenge, shipwrecks, immortals and social climbers—gothic invention in miniature, with the same fierce eye for guilt and longing as Frankenstein.
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