Passages from Dracula's Guest

You walk toward your own double across a quicksand.

One night his dream was so vivid that when he awoke he could not believe that it had only been a dream. He shut his eyes again and again, but each time the vision, if it was a vision, or the reality, if it was a reality, would rise before him. The moon was shining full and yellow over the quicksand as he approached it; he could see the expanse of light shaken and disturbed and full of black shadows as the liquid sand quivered and trembled and wrinkled and eddied as was its wont between its pauses of marble calm. As he drew close to it another figure came towards it from the opposite side with equal footsteps.

The night when the dead are said to walk, and you are alone.

Walpurgis Night, when, according to the belief of millions of people, the devil was abroad—when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was alone—unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.

A wife listens to her husband digging in the cellar at night.

With a chill in her heart—for the harshness of her husband’s voice was new to her—she crept back to bed and lay there trembling, too frightened to cry, and listened to every sound. There was a long pause of silence, and then the sound of some iron implement striking muffled blows! Then there came a clang of a heavy stone falling, followed by a muffled curse. Then a dragging sound, and then more noise of stone on stone. She lay all the while in an agony of fear, and her heart beat dreadfully. She heard a curious sort of scraping sound; and then there was silence. Presently the door opened gently, and Geoffrey appeared. His wife pretended to be asleep; but through her eyelashes she saw him wash from his hands something white that looked like lime.

What do you do when a painting looks back with the wrong eyes?

It was of a judge dressed in his robes of scarlet and ermine. His face was strong and merciless, evil, crafty, and vindictive, with a sensual mouth, hooked nose of ruddy colour, and shaped like the beak of a bird of prey. The rest of the face was of a cadaverous colour. The eyes were of peculiar brilliance and with a terribly malignant expression. As he looked at them, Malcolmson grew cold, for he saw there the very counterpart of the eyes of the great rat. The lamp almost fell from his hand, he saw the rat with its baleful eyes peering out through the hole in the corner of the picture, and noted the sudden cessation of the noise of the other rats. However, he pulled himself together, and went on with his examination of the picture.

The moment shelter becomes more frightening than the storm.

As I leaned against the door, it moved slightly and opened inwards. The shelter of even a tomb was welcome in that pitiless tempest, and I was about to enter it when there came a flash of forked-lightning that lit up the whole expanse of the heavens. In the instant, as I am a living man, I saw, as my eyes were turned into the darkness of the tomb, a beautiful woman, with rounded cheeks and red lips, seemingly sleeping on a bier. As the thunder broke overhead, I was grasped as by the hand of a giant and hurled out into the storm. The whole thing was so sudden that, before I could realise the shock, moral as well as physical, I found the hailstones beating me down. At the same time I had a strange, dominating feeling that I was not alone. I looked towards the tomb.

At breakfast, every knife is blunt, and one guest tests the blade.

Gerald could not help noticing that none of those at breakfast could get on satisfactorily with their food. It was not altogether that the chops were tough, but that the knives were all so blunt. Being a guest, he, of course, made no sign; but presently saw Joshua draw his thumb across the edge of his knife in an unconscious sort of way. At the action Mary turned pale and almost fainted.

A woman-shaped engine stands at the center, barely human.

But the central object in the whole of this chamber of horrors was the engine known as the Iron Virgin, which stood near the centre of the room. It was a rudely-shaped figure of a woman, something of the bell order, or, to make a closer comparison, of the figure of Mrs. Noah in the children’s Ark, but without that slimness of waist and perfect rondeur of hip which marks the aesthetic type of the Noah family. One would hardly have recognised it as intended for a human figure at all had not the founder shaped on the forehead a rude semblance of a woman’s face.

A rescue at sea, and lightning shows who is on the rope.

“Tie it round your waist, and I shall pull you up.” Then when he felt that it was fast he moved along the rock to the far side of the sea cave, where the deep water was something stiller, and where he could get foothold secure enough to drag the rescued man on the overhanging rock. He began to pull, and shortly he knew from the rope taken in that the man he was now rescuing must soon be close to the top of the rock. He steadied himself for a moment, and drew a long breath, that he might at the next effort complete the rescue. He had just bent his back to the work when a flash of lightning revealed to each other the two men—the rescuer and the rescued.