Ο θείος Σάιλας
Sheridan Le Fanu, 1864
Μια νευρική κληρονόμος στέλνεται να ζήσει με τον μυστηριώδη θείο της σε ένα ετοιμόρροπο αρχοντικό, όπου η γοητεία και η απειλή έχουν το ίδιο πρόσωπο.
Σελίδες από το «Ο θείος Σάιλας» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.
Πώς ο φόβος ακινητοποιεί το σώμα πριν προλάβει να αποφασίσει το μυαλό.
Why did I remain silent and motionless while such an outrage was being committed? If, instead of being a very nervous girl, preoccupied with an undefinable terror of that wicked woman, I had possessed courage and presence of mind, I dare say I might have given an alarm, and escaped from the room without the slightest risk. But so it was; I could no more stir than the bird who, cowering under its ivy, sees the white owl sailing back and forward under its predatory cruise. Τι μένει φωτεινό όταν κοιτάς πίσω τη ζωή σου;
I am not young now. I have had my sorrows, and with them all that wealth, virtually unlimited, can command; and through the retrospect a few bright and pure lights quiver along my life’s dark stream—dark, but for them; and these are shed, not by the splendour of a splendid fortune, but by two or three of the simplest and kindest remembrances, such as the poorest and homeliest life may count up, and beside which, in the quiet hours of memory, all artificial triumphs pale, and disappear, for they are never quenched by time or distance, being founded on the affections, and so far heavenly. Η θλίψη δεν είναι ανάμνηση· είναι ένας τόπος όπου μπορείς να ξαναγυρίσεις.
Thus entertained, though a little awfully, I accompanied the dark mysterious little ‘whipper-snapper’ through the woodland glades. We came, to me quite unexpectedly, in the deep sylvan shadows, upon the grey, pillared temple, four-fronted, with a slanting pedestal of lichen-stained steps, the lonely sepulchre in which I had the morning before seen poor mamma laid. At the sight the fountains of my grief reopened, and I cried bitterly, repeating, ‘Oh! mamma, mamma, little mamma!’ and so went on weeping and calling wildly on the deaf and the silent. There was a stone bench some ten steps away from the tomb. Ολόκληρη μια ζωή μπορεί να κρύβεται στο πρόσωπο ενός παιδιού.
I was looking at the pensive little boy in the oval frame—aged eight years—who was, a few springs later, ‘a most expensive and vicious young man,’ and was now a suffering and outcast old one, and wondering from what a small seed the hemlock or the wallflower grows, and how microscopic are the beginnings of the kingdom of God or of the mystery of iniquity in a human being’s heart. Γιατί βαδίζουμε ήρεμα προς αυτό που φοβόμαστε;
I did go, you will wonder, as well you may—as you may wonder at the docility with which strong men walk through the press-room to the drop, and thank the people of the prison for their civility when they bid them good-bye, and facilitate the fixing of the rope and adjusting of the cap. Have you never wondered that they don’t make a last battle for life with the unscrupulous energy of terror, instead of surrendering it so gently in cold blood, on a silent calculation, the arithmetic of despair? Γιατί η μνήμη δυσκολεύεται να κρατήσει τον πόνο;
It is not easy to recall in calm and happy hours the sensations of an acute sorrow that is past. Nothing, by the merciful ordinance of God, is more difficult to remember than pain. One or two great agonies of that time I do remember, and they remain to testify of the rest, and convince me, though I can see it no more, how terrible all that period was. Πώς ένας ζωγραφισμένος ξένος αρχίζει να μοιάζει αληθινός.
Next morning early I visited my favourite full-length portrait in the chocolate coat and top-boots. Scanty as had been my cousin Monica’s notes upon this dark and eccentric biography, they were everything to me. A soul had entered that enchanted form. Truth had passed by with her torch, and a sad light shone for a moment on that enigmatic face. Τις μικρές υποκρισίες τις συγχωρούμε στον εαυτό μας, μα τις καταδικάζουμε στους άλλους.
Now, it was very odd of me, I must confess, to talk in this way, and to receive all those tender allusions from a gentleman about whom I had spoken and felt so sharply only the evening before. But Bartram was abominably lonely. A civilised person was a valuable waif or stray in that region of the picturesque and the brutal; and to my lady reader especially, because she will probably be hardest upon me, I put it—can you not recollect any such folly in your own past life? Can you not in as many minutes call to mind at least six similar inconsistencies of your own practising? For my part, I really can’t see the advantage of being the weaker sex if we are always to be as strong as our masculine neighbours. Ο τρόμος να σε παρακολουθεί ένας ενήλικος που το απολαμβάνει.
Madame was on an unusually large scale, a circumstance which made some of her traits more startling, and altogether rendered her, in her strange way, more awful in the eyes of a nervous child, I may say, such as I was. She used to look at me for a long time sometimes, with the peculiar smile I have mentioned, and a great finger upon her lip, like the Eleusinian priestess on the vase. Το παράξενο πείσμα μιας ζωής που έπαψε να είναι καλή.
How little was there left to this old man to make life desirable, and yet how keenly, I afterwards found, he clung to it. Have we not all of us seen those to whom life was not only undesirable, but positively painful—a mere series of bodily torments, yet hold to it with a desperate and pitiable tenacity—old children or young, it is all the same. Sheridan Le Fanu, 1864
Μια νευρική κληρονόμος στέλνεται να ζήσει με τον μυστηριώδη θείο της σε ένα ετοιμόρροπο αρχοντικό, όπου η γοητεία και η απειλή έχουν το ίδιο πρόσωπο.
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