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Αποσπάσματα από το «Ο άνεμος στις ιτιές»

Σελίδες από το «Ο άνεμος στις ιτιές» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Η μέρα που μια γνώριμη ράχη λόφων γίνεται ερώτημα.

Restlessly the Rat wandered off once more, climbed the slope that rose gently from the north bank of the river, and lay looking out towards the great ring of Downs that barred his vision further southwards—his simple horizon hitherto, his Mountains of the Moon, his limit behind which lay nothing he had cared to see or to know. To-day, to him gazing South with a new-born need stirring in his heart, the clear sky over their long low outline seemed to pulsate with promise; to-day, the unseen was everything, the unknown the only real fact of life. On this side of the hills was now the real blank, on the other lay the crowded and coloured panorama that his inner eye was seeing so clearly. What seas lay beyond, green, leaping, and crested! What sun-bathed coasts, along which the white villas glittered against the olive woods!
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Ένα έλεος που μοιάζει, στην αρχή, με απώλεια.

For this is the last best gift that the kindly demi-god is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and lighthearted as before.
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Ο λυγμός που τον νιώθεις να έρχεται και δεν μπορείς να τον σταματήσεις.

The Mole subsided forlornly on a tree-stump and tried to control himself, for he felt it surely coming. The sob he had fought with so long refused to be beaten. Up and up, it forced its way to the air, and then another, and another, and others thick and fast; till poor Mole at last gave up the struggle, and cried freely and helplessly and openly, now that he knew it was all over and he had lost what he could hardly be said to have found.
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Πώς ένα πιάτο φρυγανισμένο ψωμί μπορεί να σε λυγίσει.

When the girl returned, some hours later, she carried a tray, with a cup of fragrant tea steaming on it; and a plate piled up with very hot buttered toast, cut thick, very brown on both sides, with the butter running through the holes in it in great golden drops, like honey from the honeycomb. The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one’s ramble was over and slippered feet were propped on the fender; of the purring of contented cats, and the twitter of sleepy canaries.
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Η στιγμή που μια βόλτα στο δάσος παύει να είναι βόλτα.

He quickened his pace, telling himself cheerfully not to begin imagining things, or there would be simply no end to it. He passed another hole, and another, and another; and then—yes!—no!—yes! certainly a little narrow face, with hard eyes, had flashed up for an instant from a hole, and was gone. He hesitated—braced himself up for an effort and strode on. Then suddenly, and as if it had been so all the time, every hole, far and near, and there were hundreds of them, seemed to possess its face, coming and going rapidly, all fixing on him glances of malice and hatred: all hard-eyed and evil and sharp.
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Η υπεράσπιση της υπόγειας ζωής από κάποιον που δεν έχει πλημμυρίσει ποτέ.

“That’s exactly what I say,” he replied. “There’s no security, or peace and tranquillity, except underground. And then, if your ideas get larger and you want to expand—why, a dig and a scrape, and there you are! If you feel your house is a bit too big, you stop up a hole or two, and there you are again! No builders, no tradesmen, no remarks passed on you by fellows looking over your wall, and, above all, no weather. Look at Rat, now. A couple of feet of flood water, and he’s got to move into hired lodgings; uncomfortable, inconveniently situated, and horribly expensive. Take Toad. I say nothing against Toad Hall; quite the best house in these parts, as a house. But supposing a fire breaks out—where’s Toad? Supposing tiles are blown off, or walls sink or crack, or windows get broken—where’s Toad?
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Κι αν μια μυρωδιά μπορούσε να σε φωνάξει σπίτι μέσα από έναν σκοτεινό δρόμο;

We others, who have long lost the more subtle of the physical senses, have not even proper terms to express an animal’s inter-communications with his surroundings, living or otherwise, and have only the word “smell,” for instance, to include the whole range of delicate thrills which murmur in the nose of the animal night and day, summoning, warning, inciting, repelling. It was one of these mysterious fairy calls from out the void that suddenly reached Mole in the darkness, making him tingle through and through with its very familiar appeal, even while yet he could not clearly remember what it was. He stopped dead in his tracks, his nose searching hither and thither in its efforts to recapture the fine filament, the telegraphic current, that had so strongly moved him. A moment, and he had caught it again; and with it this time came recollection in fullest flood.
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Η ξεχωριστή παρηγοριά τού να σε φιλοξενεί ο σωστός άνθρωπος.

Very thrilling stories they were, too, to an earth-dwelling animal like Mole. Stories about weirs, and sudden floods, and leaping pike, and steamers that flung hard bottles—at least bottles were certainly flung, and from steamers, so presumably by them; and about herons, and how particular they were whom they spoke to; and about adventures down drains, and night-fishings with Otter, or excursions far a-field with Badger. Supper was a most cheerful meal; but very shortly afterwards a terribly sleepy Mole had to be escorted upstairs by his considerate host, to the best bedroom, where he soon laid his head on his pillow in great peace and contentment, knowing that his new-found friend the River was lapping the sill of his window.
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Ο ειλικρινής απολογισμός ενός φίλου για όσα σου κόστισε το χόμπι σου.

When at last Toad had talked himself to a standstill, there was silence for a while; and then the Rat said, “Now, Toady, I don’t want to give you pain, after all you’ve been through already; but, seriously, don’t you see what an awful ass you’ve been making of yourself? On your own admission you have been handcuffed, imprisoned, starved, chased, terrified out of your life, insulted, jeered at, and ignominiously flung into the water—by a woman, too! Where’s the amusement in that? Where does the fun come in? And all because you must needs go and steal a motor-car. You know that you’ve never had anything but trouble from motor-cars from the moment you first set eyes on one. But if you will be mixed up with them—as you generally are, five minutes after you’ve started—why steal them?
— Ο άνεμος στις ιτιές, Kenneth Grahame (1908)

Ο άνεμος στις ιτιές

Kenneth Grahame, 1908

Ένας τυφλοπόντικας αφήνει τη φωλιά του για το ποτάμι και ξετυλίγεται μπροστά του ένας χρόνος με πικνίκ, ζεστές φωλιές, τρελά αυτοκίνητα κι ένα παράξενο ξημέρωμα. Το πιο παρηγορητικό βιβλίο για τη φιλία και το σπίτι.

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